Cuban music has a new global ambassador: Cimafunk. With a name and image that pays tribute to the Cimarrons – Cubans of African descent that resisted slavery – and music and showmanship that re-embodies funk legends from the last century, the medical-school student turned funk artist has developed into a musical force crafting the sonic future of the island and a global, cultural phenomenon that unites and celebrates blackness across borders, oceans and languages.

With his unmistakable AfroCuban sounds, no-holds-barred live show, and multiple Grammy-nominations, Cimafunk is redefining what the planet understands as Cuban music. The AfroCuban rockstar has moved the spotlight beyond the Buena Vista Social Club, salsa, and reggaeton. From a local sensation on Havana’s small alternative music scene to global success, Cimafunk’s ascent is as dizzying as an F1 race. Performing with La Tribu (The Tribe), his 9-piece band from Havana, Cimafunk has electrified global audiences on massive stages and worldwide temples of music, making a name for himself as one of the great showmen of today. From New Orleans Jazz Festival and Lollapalooza Chile to becoming the first Cuban-born artist to play Coachella, this undisputed star of Afro-Latin music has earned the adoration of musical icons such as Argentine Fito Páez, who has hailed him as “one of the lights of the continent’s future,” the Godfather of Funk George Clinton, who refers to him as “the next one,” and Chucho Valdés, who credits Cimafunk with masterfully and organically blending “AfroCuban with African American, converting this into a new school that until now I haven’t heard done.”

Cimafunk has collaborated on records and shared the stage with the likes of Alejandro Sanz, CeeLo Green, ChocQuibTown, Chucho Valdés, Fito Páez, Fonseca, Fred Wesley, Galactic, George Clinton, Jon Batiste, Juanes, Leoni Torres, Lettuce, Lupe Fiasco, Preservation Hall,, Omar Portuondo, Orquesta Aragón, Robert Glasper, String Cheese Incident, The Soul Rebels and Trombone Shorty. Susan Sarandon, Ron Delsner, and other personalities have become superfans, often seen side-stage lost in the groove, and the likes of Paul McCartney and more have come out to check out the AfroCuban sensation.

PARKING: Paid meters and parking lots are available around the museum on East 9th St., Erieside Ave., Alfred Lerner Way (in front of FirstEnergy Stadium) and at the Great Lakes Science Center. You can also use these links to park in other downtown lots, reserve your parking spot in advance or to take public transportation. All sales final, tickets cannot be exchanged or refunded after purchase unless the performance is canceled.