

2004
Outkast & Alicia Keys
Prince redefined artistic possibility, mixing rock, funk, soul, pop and jazz into a genre-defying blend that both challenged and satisfied audiences. As a visionary composer and mesmerizing performer, he set new standards, mastering multiple instruments and styles. In the studio, he pioneered new approaches, delivering material addressing both sexuality and spirituality with equal passion. Ever-changing and fiercely independent, he inspired generations of artists to take risks and embrace their authentic vision.
Induction
Impact
Signature Sound
Constantly evolving, always provocative, Prince launched as a one-man R&B prodigy, morphing into a new wave funk auteur, a bona fide rock star and a mesmerizing multi-instrumentalist. From synthesizer-heavy experiments to full-blown big band soul explosions to jazz-inflected piano ballads, he was bound by no genre or category.
20-year-old Prince’s breakthrough hit took him to American Bandstand and the Hot 100, and gave a glimpse of genius to come.
From the Museum
Prince's Cloud

Prince’s uniquely shaped Cloud guitar became his signature axe beginning with the original white Cloud model designed and custom made in Minneapolis for him to play in the 1984 film Purple Rain.
Its spiral shape around the guitar jack and the intricately carved upper horn were replicated for Prince’s subsequent Cloud guitars, in various colors, including this Cloud #2 royal blue Angel 6-string.

Prince showed us how music can be the closest expression of freedom. His music defied all the rules and taught us to let go of boundaries.
Alicia Keys

2004 hall of fame essay
“In the same way that the Beatles and the Rolling Stones dominated the 1960s, Prince’s music, alongside that of Michael Jackson and Link Wray, absolutely dominated the airwaves and clubs of the 1980s”
– Rob Bowman



Paper Artifacts
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Influence

Prince
sealed with a signature
This is the signature that appears on the inductee’s plaque at the Rock & Roll Hall of Fame to officially commemorate their induction.
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