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Grandmaster Flash and the Furious Five

graNDmasTeR FLAsh And thE FuRiOus fiVe

YEAR

2007

INDUCTED BY

Jay-Z

CATEGORY

Performers

Grandmaster Flash and the Furious Five, the first rap group inducted into the Rock Hall, elevated hip-hop from party music to a weapon for social change.

Put simply, Grandmaster Flash and the Furious Five were innovators. Sonically, their new techniques and equipment expanded the sound of hip-hop. Lyrically, their masterpiece “The Message” exposed the dirty underside of a landscape known for partying—and no one saw it coming.

Joseph 'Grandmaster Flash' Saddler

Joseph 'Grandmaster Flash' Saddler

Melvin 'Melle Mel' Glover

Melvin 'Melle Mel' Glover

Nathaniel 'The Kidd Creole' Glover Jr.

Nathaniel 'The Kidd Creole' Glover Jr.

Guy Todd 'Rahiem' Williams

Guy Todd 'Rahiem' Williams

HALL OF FAME
ESSAY

By Rob Patterson

“I was first,”Grandmaster Flash said in 2002. “I don’t care who’s better, who’s worse, contribution is first. Because first is forever.”

The Sugarhill Gang may have released the first rap|single with “Rapper’s Delight” in 1979 may have been the first hip-hop artist to sign a major-label record deal. But Flash’s contention is correct: On any number of counts, Grandmaster Flash & the Furious Five were innovators who drove the birth of hip-hop on the streets and later in the clubs of New York City’s South Bronx in the 1970s.

During the early eighties, they etched the basic elements of the new musical style into the grooves of such elemental and influential tracks as “Freedom,” “The Birthday Party,” “The Adventures of Grandmaster Flash on the Wheels of Steel,” “It’s Nasty (Genius of Loves (Don’t Do It).”

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Class of 2007
What Les Paul and Chuck Berry did for the electric guitar, Flash did for the turntable.
Jay-Z
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Van Halen