This summer as rock and roll fans gather at musical festivals around the globe, the Rock Hall is celebrating the the greatest music festivals in history, the biggest and baddest music festivals of today and the fans who make Common Ground: The Music Festival Experience.
From June 12-15, the Bonnaroo Music and Arts Festival takes over Manchester, Tennessee, with a host of performances from some of the biggest names in music. Among the headlining acts and performers at Bonnaroo this year are a number of artists who also feature in the Rock and Roll Hall of Fame and Museum, in Cleveland, Ohio, including four Rock and Roll Hall of Fame Inductees.
Percussionist Mickey Hart was inducted into the Rock and Roll Hall of Fame in 1994 with his bandmates in the Grateful Dead. When Hart visited the Rock and Roll Hall of Fame and Museum in 2012, he shared stories about the first time he ever saw the Grateful Dead live and the San Francisco scene in the 60s. Pictured below is his illuminated signature in the Rock and Roll Hall of Fame in Cleveland, Ohio.
Bobby Womack was born in Cleveland, where he and his ...
The song was there amid the highs and lows of the top 40, tucked among "Kung Fu Fighting," "Me and Mrs. Jones," "Maggie May," and countless other 70s one-offs, novelties and classics. The Staple Singers’ "I’ll Take You There" was in the air, like oxygen. Years after I first heard it in my parents’ kitchen on a transistor radio, it always seemed to be part of my life – I would find myself humming the bass line while waiting for an elevator or muttering "Ain’t no smiling faces" as I walked down a downtown Chicago street at rush hour. A few decades later, after hearing the song dozens if not hundreds of times, it dawned on me: There are only about five lines of verse in the entire song, spanning more than 4 minutes. The rest is just a magic act between the band (the Muscle Shoals rhythm section) and Mavis Staples, backed by her family.
In interviewing the people in the studio when "I’ll Take You There" was recorded, they all still sound in awe of what happened that day.
"The ‘I’ll Take You There’ session rates as high as any we ever did," guitarist Jimmie ...
In March 2014, the Rock and Roll Hall of Fame and Museum invited fans around the globe to vote for the greatest festival moments in the history of rock and roll. Thousands of votes were cast, and when the results were tallied, a Top 10 emerged. Here are those amazing festival moments, from Newport Folk to Woodstock, Monterey Pop to Lollapalooza; from Bob Dylan to Jimi Hendrix, Muddy Waters to Nine Inch Nails.
The Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, opens a new feature exhibit, Common Ground: The Music Festival Experience, on April 25, 2014.
A powerful, smoky voice that ran the emotional gamut from cool sophistication to simmering passion, Dusty Springfield has been cited as "one of the five mighty pop divas of the Sixties," placing her in the rarified company of Aretha Franklin, Dionne Warwick, Diana Ross and Martha Reeves. No less an authority than Berry Gordy credits her for helping the Motown sound take root in the U.K. Smitten by the soulful sounds coming out of Detroit, Springfield actually introduced the British public to Motown’s caravan of stars as the host of a 1965 TV special, while her solo work interpreted "the Sound of Young America" as a cool, poised vocal outpouring that reflected her British upbringing. Springfield immediately connected as a solo artist with 1964’s “I Only Want to Be with You.” The song made it into the British Top 10 and hit Number 12 in the U.S., making her the second British act after the Beatles to score a stateside pop hit. She became known as a British interpreter of American songwriters such as Randy Newman, Jerry Ragavoy, Gerry Goffin and Carole King and Burt Bacharach and Hal David. One of those memorable hits was "Wishin ...
Daryl Hall and John Oates created an original mix of soul and rock that made them the most successful pop duo in history. As songwriters, singers and producers, they embraced the pop mainstream, bringing passion and creativity back to the 3-minute single. Over the course of their career, they have recorded six Number One hits and put 34 songs in the Billboard Top 100.
Deeply rooted in lush Philly soul, Hall and Oates mixed smooth vocal harmonies and the romantic vulnerability of soul with edgy hard rock and new wave riffs to create some of the finest pop music of the 1980s. They teamed up in the early 1970s in Philadelphia, and landed a deal with Atlantic. On their first three albums, they searched for the right style for their talents as they experimented with soul, folk and hard rock.
After their subsequent string of hits in the 1970s, including "She's Gone"and "Rich Girl", they were energized by new wave and dance music. The result was an incredible run of original songs that topped the pop and R&B charts throughout the 1980s. Combining the best of both rock and R&B, Hall and Oates set the stage ...
Although it originated in Ireland, the tune and melody of "Londonderry Air" is known worldwide, its flowing cadence inextricably linked to Irish heritage. When English lawyer and songwriter Frederic Weatherly was introduced to the tune in 1913, he recast lyrics he'd previously penned to match the "Londonderry" melody, giving rise to "Danny Boy,"arguably the most celebrated version of the song.
For more than a century, the stirring folk ballad has been adapted by a diverse cast of performers, including various Rock and Roll Hall of Fame Inductees. Here, we look at versions of "Danny Boy" by Sam Cooke, Johnny Cash, Jackie Wilson, Roy Orbison, Elvis Presley, Jerry Lee Lewis and Eric Clapton.
Cooke cut a beautifully soul-infused version of "Danny Boy" for his 1958 self-titled debut album, adding a charismatic lilt to the arrangement.
Cash recorded a hauntingly solemn version of "Danny Boy" for his 1965 Columbia Records release Orange Blossom Special, an album that included various folk and country standards as interpreted by the incomparable Man in Black.
Wilson, who could effortlessly transition from rock to blues to soul, transformed "Danny Boy" – reportedly one of his mother's favorite songs – in ...
Backed by fellow Rock and Roll Hall of fame inductees Booker T. & the MG’s, Otis Redding put on a devastating set of soul music, some of the finest of its day. Redding was riding a wave of success at the time, but he was known primarily to African-American audiences. Monterey put him in front of the largest white audience of his career to date, and the crowd went crazy. Redding died just six months later, and the performance we have now captured on the Monterey Pop film is one of the high water marks of his career.
The Rock and Roll Hall of Fame and Museum will open its latest featured exhibit, Common Ground: The Music Festival Experience on Friday, April 25, 2014. The exhibition will be an engaging look at the music festival as more than just an outdoor concert, but as a community experience. Whether it‘s forging human bonds, building a sense of community, providing broad exposure for musical artists or as one of the most important economic engines of the music industry, the story of the music festival is inextricably linked with music’s powerful cultural impact around the globe. Visit Common Ground: The Music ...
Taking place at the Los Angeles Memorial Coliseum, the Wattstax was organized by Memphis-based Stax Records as a way to recognize the seventh anniversary of the Watts Riots. Isaac Hayes' set began with him being driven to the stage in a gold station wagon as the emcee, Jessie Jackson, hyped the crowd. The band played the “Theme from Shaft” as Hayes walked on stage in a hood and cloak. Hayes threw the cloak off revealing his bare chest covered in a vest of gold chains. And that’s all before he sang a single note! The performance that followed was perfect hot buttered soul.
The Rock and Roll Hall of Fame and Museum will open its latest featured exhibit, Common Ground: The Music Festival Experience on Friday, April 25, 2014. The exhibition will be an engaging look at the music festival as more than just an outdoor concert, but as a community experience. Whether it‘s forging human bonds, building a sense of community, providing broad exposure for musical artists or as one of the most important economic engines of the music industry, the story of the music festival is inextricably linked with music’s powerful cultural impact around the ...