Rock and Roll Hall of Fame Inductee Sir Paul McCartney surprised Beatles fans by sharing exclusive, behind-the-scenes footage from the 2015 Rock and Roll Hall of Fame Induction Ceremony, where he inducted longtime friend and bandmate Ringo Starr.
The four-minute video, which was shared on McCartney's YouTube channel, begins with McCartney arriving at Cleveland’s Public Hall, later delivering a rousing: “Rock and Roll Hall of Fame, baby. Cleveland. Oh yea!”
Several inductees are featured in the video, including Stevie Wonder, who embraces McCartney and congratulates Starr. The two Beatles joke with Wonder, saying: “We’re reforming the group, man. You want to join?” We're sure the world would love to see that happen.
After a quick photo-op with 2015 Rock and Roll Hall of Fame Inductee Billie Joe Armstrong of Green Day, McCartney joins nearly all of the 2015 inductees, performers and presenters onstage to rehearse the Beatles’ “With a Little Help from My Friends,” from their 1967 album Sgt. Pepper’s Lonely Hearts Club Band. Then, McCartney, Ringo and Hall of Fame Inductee Joe Walsh run through Starr’s 1971 single, “It Don’t Come Easy.”
After a clip of McCartney and Walsh reliving their glory ...
In among the most anticipated moments of the 2015 Rock and Roll Hall of Fame Induction Ceremony, Sir Paul McCartney – a two-time Rock and Roll Hall of Fame Inductee – took to the stage to induct his friend and Beatle bandmate Ringo Starr into the Hall of Fame.
Speaking of first meeting Starr in the Hamburg days, McCartney said: "And Ringo was like a professional musician. We were just like, slamming around and doing stuff, but he had a beard — that's professional. He had the suit. Very professional. And he would sit at the bar drinking bourbon and seven. We'd never seen anyone like this. This was like, a grown-up musician.
"Eventually [The Beatles] got on The Ed Sullivan Show, and we got really famous. It was just so beautiful. As all the other drummers say, he just is something so special. When he's playing behind you – you see these other bands, they're looking around at the drummer, like, is he going to speed up, is he going to slow down? You don't have to look with Ringo."
After a quick embrace with McCartney, Ringo Starr took the mic, accepting his award and regaling the crowd ...
After the Beatles achieved success, they could afford the kind of instruments they had only dreamed about as struggling musicians. Although Gretsch guitars were primarily associated with George Harrison, John Lennon acquired this particular guitar in 1966. He used it during the recording of "Paperback Writer" in April of that year.
In this video, Rock and Roll Hall of Fame and Museum curatorial director Howard Kramer discusses the guitar and the unique circumstances that brought it to the Rock Hall, where it is on display as part of the Museum's Beatles exhibit.
WATCH: Spotlight Exhibit: John Lennon's 1963 Gretsch 6120
The arrival of the Beatles triggered a musical revolution in the Sixties. Emerging from Liverpool, England, the Fab Four's sound took root in Europe, with songs like "Love Me Do" and "Please Please Me" touching an audience who were looking for something to take them from the doldrums into which rock and roll had fallen. "In England, during those very early days, just while the Beatles were recording their first songs, it was a real wasteland – England had nothing to really offer as far as pop music was concerned," said the Rolling Stones' Mick Jagger when he inducted the Beatles into the Rock and Roll Hall of Fame in 1988. "At that point, the Stones were playing in these little clubs in London, doing Chuck Berry songs and blues and things, and we loved doing that. And we were a pretty scruffy lot, and we thought we were totally unique – animals – I mean there was no one like us. And then we heard there was a group from Liverpool."
The Beatles’ music - with its simultaneous refinement (crisp harmonies, solid musicianship, canny pop instincts) and abandon (energetic singing and playing, much screaming and shaking of mop-topped locks) – ignited the ...
A very different Beatles had emerged by the genesis of "Strawberry Fields Forever." The Fab Four – George Harrison, John Lennon, Paul McCartney and Ringo Starr – had traded much of the mop–topped gaiety and matching-suit panache for a more bohemian consciousness. They were no longer married to the stage, but rather exploring the boundaries of studio recording, indulging creative whims as producer George Martin helped realize the band's ambitious visions. Such musical acumen came to fruition with "Strawberry Fields Forever," a song born of fantast Lennon. "Of all the Beatles recordings, 'Strawberry Fields Forever' is known for being among the most complicated and difficult to record," noted writer Mark Lewisohn in The Beatles Recording Sessions: The Official Abbey Road Studio Session Notes, 1962-1970.
Despite esoteric lyrics about a childhood haunt of Lennon's (No one I think is in my tree, I mean it must be high or low / That is you can't you know tune in but it's all right) and a beguiling arrangement, "Strawberry Fields" remains a singular pop song. It was the first song recorded for Sgt. Peppers Lonely Hearts Club Band when sessions began on November 24, 1966, following a months-long period ...
The Rock and Roll Hall of Fame and Museum is very fortunate to have what is most likely the finest, most extensive Beatles exhibit anywhere in the world. That exhibit is the result of relationships we have built over the years. I have been the chief curator at the Rock and Roll Hall of Fame and Museum in Cleveland since 1994, before the Museum opened, and one of the first people I contacted when I got the job was Yoko Ono.
Prior to joining the Museum, I was a writer and editor at Rolling Stone magazine, where I had interviewed Yoko. In addition, Jann Wenner, the editor and publisher of Rolling Stone and one of the founders of the Hall of Fame, was friends with Yoko and John Lennon. Having made those connections, I first arranged to meet Yoko at her apartment at the Dakota in New York City in 1994. Much to my surprise, she had an enormous amount of material related to her late husband John, going back to things like his school report cards and a swimming certificate. She also had many of his handwritten lyric manuscripts, guitars, clothing and other personal effects. Yoko agreed to ...
The music world lost one of its finest artists over the weekend. Clarence “The Big Man” Clemons died on Saturday at a hospital in Palm Beach, Florida. His death was caused by complications from a stroke he had suffered on June 12th at his home in Florida. Best-known as the saxophonist in Bruce Springsteen’s E Street Band, Clemons was a great musician and a dramatic stage performer. In addition to being a member of the E Street Band, Clemons played with numerous other artists, including Aretha Franklin, Ringo Starr, Jackson Browne and, most recently, Lady Gaga.
Clemons was born on January 11, 1942, in Norfolk, Virginia. He began playing sax as a child, after his father gave him an alto saxophone for Christmas. His father made him practice in a room at his fish store, annoying Clarence, who wanted to be out playing with the other kids. Then, when he was a teenager, he got turned onto the music of King Curtis and other R&B musicians and he switched to tenor sax. He got a music and football scholarship to Maryland State College. In the mid-Sixties, he was going to try out for the Cleveland Browns, but an ...