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The Rock Hall's Guide to the Essential Joan Jett and the Blackhearts Songs

Tuesday, April 14: 4 p.m.

2015 Rock and Roll Hall of Fame Inductee Joan Jett and the Blackhearts created a potent mix of hard rock, glam, punk, metal and garage rock that sounds fresh and relevant in any era. The group's biggest hit, “I Love Rock ‘N’ Roll” (Number One in 1982) is a rock classic – a pure and simple a statement about the music’s power. The honesty and power of their records make you believe that rock and roll can change the world. Here are my picks for essential songs that do just that.

2015 Rock and Roll Hall of Fame Inductee Joan Jett and the Blackhearts

“Do You Wanna Touch Me (Oh Yeah)”  
This song is a cover of glam rocker Gary Glitter’s 1973 hit, delivered with the authoritative punch as only Joan Jett and the Blackhearts can.


 

“I Love Rock ‘N Roll”
Joan Jett's version of this Arrows song was ranked Number 89 in the "100 Greatest Guitar Songs" by Rolling Stone magazine, and was Joan Jett and the Blackhearts first Number One.



Crimson and Clover
This reworking of the Tommy James and the Shondells classic reached Number Seven, wonderfully capturing the Jett and company's ability to do tender and tough will equal aplomb.

“I Love You Love Me Love ...


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The Rock Hall's Guide to the Essential Green Day Songs

Tuesday, April 14: 12 p.m.

Building on the trail blazed by the Clash, the Sex Pistols and the Ramones, 2015 Rock and Roll Hall of Fame Inductees Green Day are the perennial punk adolescents, true to the ethos of every basement and garage-rock band that preceded them. Here are my picks for essential Green Day listening.

2015 Rock and Roll Hall of Fame Inductee Green Day

“Green Day”
Pitchfork said of this early Green Day outing: “It's raw stuff, but even at this point Green Day's records were at least halfway decently recorded, unlike most of their peers' tin-can-and-twine set-ups.”  This 1990 recording – although technically rough around the edges – showcases the group's knack for revved-up melodies.

“2000 Light Years Away”
“2000 Light Years Away” kicks off the 1992 album Kerplunk, Green Day’s last album on the indie Lookout! Records and the group’s first with drummer Tré Cool. The explosive blast of punk energy comes with a fantastic sing-along chorus and lyrics about genuine adolescent longing.

“Longview”
“Longview” was Green Day’s breakout hit, the first single released from their 1994 major label debut Dookie. PopMatters said: "This song didn’t become an instant classic of its genre merely because Armstrong said the word "masturbation" on the radio — it's all ...


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Is "Transformer" Lou Reed’s Best Solo Work?

Friday, April 10: 3 p.m.
Posted by Jason Hanley

The story of Lou Reed Transformer album 1972 art

In 1970, Lou Reed quit the Velvet Underground at the end of a nine-week performance residency at the famous rock club Max’s Kansas City (in New York City), leaving the VU album Loaded recorded but unmixed; and leaving the VU to continue on with none of its original members.

Two years later, Reed released his self-titled, first solo album on RCA records. The album was mostly made up of songs he had written for – and in some cases even performed live with – the Velvet Underground. While the release generated a lot of buzz, it turned out to be a critical and commercial flop. There are some strong songs, but even listening to it today it feels… well, lost. It doesn’t have the bite of the early VU songs like “Heroin,” nor the pop sensibilities of songs like “Sweet Jane.”  So with the album as disappointment to everyone including Reed, what to do next?

Bowie, Ronson and Reed

David Bowie and his guitarist Mick Ronson were longtime fans of the Velvet Underground and Lou Reed, so when it was suggested that they produce the next Reed album, they jumped at the chance.

Reed, for his part, was enamored with ...


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8 Incredible Items in the 2015 Hall of Fame Inductee Exhibit

Monday, April 6: 11 a.m.
Posted by Rock Hall

The 2015 Rock and Roll Hall of Fame Inductee exhibit opens April 11, 2015, and will feature amazing stories and incredible pieces from this year's class: The Paul Butterfield Blues Band, the "5" Royales, Green Day, Joan Jett and the Blackhearts, Lou Reed, Ringo Starr, Stevie Ray Vaughan and Double Trouble, and Bill Withers.

Here are eight of our favorite items in the new exhibit, from a mirrored-star shirt designed by Slash's Mom to an infamously muddy outfit that was at the center of a near-riot at Woodstock '94.

2015 Rock and Roll Hall of Fame Inductee Bill Withers

1. Bill Withers' Main Guitar

Bill Withers was in many ways an anomaly in the music business. In the “Black Power” era of funk and flash, as he put it, “[In] 1970, 1971 or something, you know, I’m this black guy coming out sitting on a chair with an acoustic guitar.” His songwriting and performance style was understated, subtle, simply and straightforwardly constructed, and both articulate and honest. Withers' Martin acoustic guitar model D-35 was his main instrument, used to write and record with, and on stage for live performances.

2015 Rock and Roll Hall of Fame Inductee Green Day Woodstock 1994 Billie Joe Armstrong

2. Billie Joe Armstrong of Green Day's Woodstock '94 Outfit

Woodstock '94 in Saugerites, New York, was ...


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Is this the Greatest Photograph in Rock History?

Tuesday, January 20: 5:23 p.m.
Posted by Randal Doane

Discover more amazing Clash stories in the Rock Hall's punk rock exhibit and plan your visit today.

Below is an excerpt from Stealing All Transmissions: A Secret History of the Clash by Randal Doane.

The Clash Paul Simonon London Calling bass smash album cover punk rock history

With her Pentax camera in hand, Pennie Smith stepped onto the left wing of the stage of the Palladium, just behind the curtain, and waited for The Clash to return for their encore. It was September 21, 1979, the second of a two-night stint for The Clash in New York City. WNEW-FM, the album-oriented rock station that had recently found felicity in punk and new wave, supplied a live simulcast for the tri-state region. On the opposite stage wing, Richard Neer, the on-air host, gushed: “If you’ve never seen The Clash it’s an experience, I’ll tell you that. I was out front for a bit and it’s so loud. I’m used to loud music but it is loud to the point of real distortion, and the people are just totally enveloped in the music. . . . They’re dancing, they’re jumping up and down and they are just totally into it!” Back onstage, The Clash offered the audience a respite from ...


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Henry Rollins Weighs in on Cleveland's Punk Rock Past

Tuesday, January 13: 4:20 p.m.
Posted by Rock Hall

Pere Ubu and David Thomas and Cleveland punk rock history

Recently, former Black Flag frontman, solo artist and writer Henry Rollins shared his top 10 underground songs of all time with Esquire magazine. So what does that have to do with Cleveland's rock history? Turns out, a lot.

DEVO Akron, Ohio, art rock "Whip It" yellow outfits Mark Motherbaugh at Rock HallMid-70s Cleveland was the perfect breeding ground for a band like Pere Ubu. The city had seen better days, and amid the post-industrial bleakness, a group of young creative men formed Pere Ubu. "Ohio was one of the most fertile grounds for what could be called underground music. I could make this list only using bands from this state and do just fine," Rollins said. "David Thomas, Pere Ubu's vocalist and leader of the band to this day, has been making records under the Pere Ubu moniker as well as solo for decades. He is one of my favorite performers, and I see him whenever the opportunity presents itself. The band's early singles are now fairly pricey items... What is true of [the Pere Ubu track] 'Final Solution' is true of this initial batch of Ubu. It is visionary stuff from the schools of rock, what would be called punk, and art, all mixing with time, place, and restless ...


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Rock Hall 2015: Who's Getting Inducted, How to Get Ceremony Tickets and the New Exhibit in Cleveland

Tuesday, December 16: 2 p.m.
Posted by Rock Hall

who are the 2015 rock and roll hall of fame inductees

Today, the Rock and Roll Hall of Fame is proud to announce the 2015 Hall of Fame Inductees. The Rock Hall's 2015 class includes the Paul Butterfield Blues Band, Green Day, Joan Jett & the Blackhearts, Lou Reed, Stevie Ray Vaughan & Double Trouble and Bill Withers, all in the performer category.

This year's class also recognizes the "5" Royales with the early influences award, and former Beatle and solo artist Ringo Starr enters the Hall of Fame – the last of the Fab Four to be inducted as a soloist, following John Lennon in 1994, Paul McCartney in 1999 and George Harrison in 2004.

“As we mark 30 years of Rock and Roll Hall of Fame Inductions, we’re proud to honor these artists,” said Rock and Roll Hall of Fame Foundation President Joel Peresman. "These Inductees epitomize rock and roll’s impact over the past 50 years and continuing through today."

Leading up to the April 18, 2015 ceremony, the Rock and Roll Hall of Fame will host a series of special events, including the grand opening of the major new 2015 Inductee exhibit, which will serve as an introduction to the Rock and Roll Hall of Fame visitor ...


continue Categories: Inductee, Exhibit, History of Rock and Roll, Rock's Greatest Guitar Players, Event, The Beatles, Hall of Fame

5 Songs That Define the Sounds of the 1990s

Tuesday, November 11: 3:59 p.m.

Prodigy Firestarter music video singer 90s music

Rock and Roll Hall of Fame Inductees Tom Dowd, Berry Gordy Jr., Les Paul, Sam Phillips and Phil Spector represent a 1950s and 1960s "recordist canon," pioneers of maverick recording methodologies responsible for shaping the sound of classic rock and roll. Their work not only forms the underpinning of rock music’s sonic characteristics, but also represents an oft-imitated body of audible stylistic, genre and aesthetic recording principles. Some of their radical, experimental and at times rebellious production techniques – Paul’s "Sound on Sound," Spector’s "Wall of Sound"and Phillips’ "Slap Echo" for example, have informed a continuum of established rock production standards.

However, the 1990s also marked a significant turning point in pop and rock sound recording. At a time when computer-based digital audio workstations (an electronic tool for recording, editing and producing audio files) were fast becoming the norm, many sound recordists of the era either rejected this new direction outright or blended technological and processual precursors into unconventional and individualized working practice. Such reinventions of technological and processual modes of production mirror those of the 1950s and 1960s ‘"recordist canon."

Here are 5 songs that helped define the sounds of the 1990s, and the producers who ...


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