Allen Toussaint was one of New Orleans' great musical giants. “He was a great and tremendously versatile musician, a real gentleman and one of the nicest people I’ve ever known,” said Hall of Fame Inductee Randy Newman.
He was a gifted arranger, deft producer, engaging performer and masterful record executive. But perhaps most remarkably, he was among the rare songwriters whose musical vocabulary – though singularly recognizable – translated to myriad styles and elevated the artistry of musicians around the world.
"New Orleans and the world has lost a true musical genius," wrote Trombone Shorty on his Facebook wall. "Allen will always be one of the founding fathers of what New Orleans sounds like; he was a tremendous friend and mentor to me and other musicians in New Orleans. Everything I do is influenced by my musical upbringing in New Orleans – and Allen was a huge part of that. I thank him so much for it, and for all that he did."
His piano on Fats Domino records inspired the likes of Elton John. He produced records for Bonnie Raitt. He toured with Little Feat. He arranged the memorable horns for the Band's Last Waltz. He worked with Otis Redding ...
It was star-studded night at the 56th annual Grammy Awards. With artists – new and old – coming together, and a handful of Rock and Roll Hall of Fame Inductees taking to the stage. The night included rememberances of Hall of Fame Inductees Lou Reed and Phil Everly, as well as 2014 Rock and Roll Hall of Fame Inductee Dave Grohl taking honors for best rock song for “Cut Me Some Slack,” a collaboration from his Sound City soundtrack that features Paul McCartney, former Nirvana bandmate and fellow 2014 Inductee Krist Novoselic and Pat Smear. From Paul McCartney and Ringo Starr to Madonna to Stevie Wonder, there were numerous Inductees getting into the live act at the Grammy Awards.
Dozens of couples, representing all demographics: gay, straight, interracial, young and old said “I do” during Macklemore & Ryan Lewis’ performance of “Same Love” featuring Mary Lambert and Rock Hall Inductee and seven-time Grammy Award–winner Madonna. Lewis, the group’s producer, told The New York Times, the wedding “will be in our minds the ultimate statement of equality, that all the couples are entitled to the same exact thing.”
Remembered not only as a peerless songwriter but also as a formidable personality and cheerful raconteur, 1992 Rock and Roll Hall of Fame Inductee Doc Pomus was one of the real characters from rock and roll’s golden era. Atlantic Records producer and co-owner Jerry Wexler succinctly described his sphere of influence: "If the music industry has a heart, it would be Doc Pomus."
Pomus authored among the greatest songs in rock and roll history: "This Magic Moment" (recorded by the Drifters), "A Teenager in Love" (recorded by Dion and the Belmonts) and "Save the Last Dance for Me" (recorded by Ben E. King). Elvis Presley recorded at least 20 Pomus originals. In Cleveland, the Rock and Roll Hall of Fame and Museum's collection includes the hand-written lyrics to "Save the Last Dance for Me," which Pomus wrote at his wedding, while watching his new bride, Wilma Burke, dancing (pictured below).
Born Jerome Solon Felder in the Williamsburg section of Brooklyn on June 27, 1925, he adopted the name Doc Pomus to hide his singing from his parents. Stricken with polio as a child, Pomus was confined to crutches and a wheelchair, though it never slowed him down. For ...
This week, the Rock and Roll Hall of Fame and Museum in partnership with Play Me, I'm Yours unveiled a unique piano designed by Rock and Roll Hall of Fame exhibit designer John Sloboda. "The represented act of smashing the guitar through the top of the piano is an attempt to catch the 'lightening in a bottle' moment when something happens where there's a little bit of danger mixed with excitement," says Sloboda of the Rock Hall's piano design that features a guitar "smashed" into the top of the piano. "Plus, having the electric guitar with the piano feels a little more rock and roll, and seemed fitting because the Rock Hall sponsored the piece."
Case Western Reserve University and the Cleveland International Piano Competition teamed up to present Play Me, I'm Yours, curating an interactive art installation composed of 25 uniquely decorated pianos that will be placed throughout Northeast Ohio, including the Rock and Roll Hall of Fame and Museum. The idea is to encourage people to meet, connect, communicate and express themselves through the shared experience of musical performance.
Dubbed "Black Magik," the Rock and Roll Hall of Fame's piano was inspired by ...
The six founding members of War – the late Papa Dee Allen and Charles Miller, survivors Harold Brown, B.B. Dickerson, Lonnie Jordan and Howard Scott – were gigging around L.A. for nearly a decade before hooking up with Eric Burdon (ex-Animals) and Danish harmonica player Lee Oskar in 1969. Burdon and producer Jerry Goldstein named them War, and they backed it up with a steamy Afro-Latin R&B groove that rocked their debut hit “Spill The Wine.” Less than two years later, Burdon dropped out and War went their own way in 1971. A long string of Top 10 pop/R&B crossover hits established War’s status through the Seventies, always with a social message grounded by their distinctively breezy Southern California vibe. In this interview with War founding member Lonnie Jordan, he shares his first memories of playing, how War first connected with Eric Burdon and jamming with Jimi Hendrix during what would be his last public performance.
Rock and Roll Hall of Fame: How did you first become interested in playing music?
Lonnie Jordan: As a kid, I used to watch old black-and-white movies. Now keep in mind I'll be 65 this year, so when ...