From album covers to iconic photography to concert posters, artistic imagery and rock have a long history together. Celebrating that connection and as a special preview of the 2014 Weapons of Mass Creation Festival, a massive collection of hand-printed posters is going on exhibit in the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, from Friday August 8 through Sunday August 10, 2014. The pop-up exhibit and shop is part of a National Poster Retrospecticus tour featuring more than 100 of the most prominent poster designers in the country. The show includes heavy hitters like Aaron Draplin, Daniel Danger and Aesthetic Apparatus. Posters for artist including the Ramones, Black Keys, Mavis Staples, Neil Young, Radiohead, Modest Mouse, Phish, Wilco and hundreds of others will be on display for the public – free with paid admission to the Museum.
The National Poster Retrospecticus is a traveling show of more than 300 hand-printed event posters from over 100 of the most prominent poster designers in the USA. Its mission is to celebrate posters and the made-by-hand aesthetic, spreading that enthusiasm around the world. The National Poster Retrospecticus is produced and curated by John Boilard.
Storm Thorgerson, arguably best known as the designer of Pink Floyd’s album cover for Dark Side of the Moon, died Thursday, April 18, 2013, after a battle with cancer. He was both a close friend to the band and integral to their artistic vision. The Library and Archives has two compendiums of his career, which lasted from the 1960s well into 2012. The first, Mind Over Matter : the Images of Pink Floyd, concentrates on his breakthrough work with the influential rock band and 1996 Rock and Roll Hall of Fame inductees. The second is a lavish, limited edition set by Genesis Publications called Taken by Storm : the Album Art of Storm Thorgerson (pictured below), which features a 203-page book edited by Thorgerson himself, as well as full-color prints, a bonus retrospective book on SunStorm Studios and a 3-D Viewmaster of cover images.
With a career that spans more than 50 years and a catalog of music that embraces gospel, rock, jazz, blues, funk, pop standards and more, Aretha Franklin earned the royal sobriquet the Queen of Soul with her passionate, expressive musicianship. Franklin's influence is expansive, her music resonating with generations, breaking down style barriers and fostering an eclectic appreciation of sonic possibilities. In celebration of Franklin's lasting impact, on Friday, November 4 at 8:30 pm, the House of Blues Cleveland will transform into a hotbed of soul, R&B and dance, as the Rock and Roll Hall of Fame and Museum presents Jump To It, welcoming internationally recognized DJs MC Lyte, Mick Boogie and O-Dub to spin a lively mix of classic Aretha Franklin tracks and cuts by the soul and R&B purveyors who followed her lead.
"I can remember the first time I saw Aretha Franklin perform 'Respect' in the Blues Brothers film," says MC Lyte. "It was my favorite scene in the movie! She commanded attention with a no-nonsense attitude. I loved it!" For more than 20 years, the multi-talented MC Lyte has been a creative force in the world of hip-hop and beyond. Her ...
The rockabilly field of the 1950s wasn’t exactly crowded with female performers, but Wanda Jackson didn’t let that stop her from making her mark. Born on October 20, 1937, she emerged from a small town in Oklahoma to become the first Queen of Rockabilly. With encouragement from Elvis Presley, whom she met while on a package tour in 1955, Jackson moved from country music to rock and roll. "I was just doing straight country, and that's all I had ever planned on doing. [Elvis] started talking to me about his kind of music – we didn't really have a name for it at that point," said Jackson during a 2009 Hall of Fame series interview with Rock and Roll Hall of Fame and Museum Vice President of Education and Public Programs Lauren Onkey. "I said look, I love it of course, but you're a guy, you can sing it, and I just don't think I can do it. He just kept insisting that I could do it – he said, 'you got the voice.' He took me out to his home in Memphis, and we played records that afternoon.
"He made me promise that somewhere along ...