Few bands short of the Beatles inspired more kids to play the guitar and drums than KISS. With their signature makeup, explosive stage show and anthems like “Rock And Roll All Nite” and “Detroit Rock City,” they are the very personification of rock stars. Original members Peter Criss, Ace Frehley, Paul Stanley and Gene Simmons came together in New York in 1972. While their first two records did not generate many sales, they quickly gained a national following for their bombastic, pyro-filled stage show. Their 1975 live album Alive! captured that energy and reached Number Nine on the charts, quickly making them one of the most popular bands of the 1970s – scoring countless hit singles, sold-out tours and appearing everywhere from comic books to lunch boxes to their very own TV movie. In 1977, KISS received a People’s Choice Award for the song “Beth.” Ace Frehley and Peter Criss left the band in the early 1980s to pursue solo careers, while KISS regrouped with a different lineup of musicians. Another major change was the group’s decision to take off their makeup for 1983’s Lick It Up. They continued to be a popular live draw, but in 1996 ...
Linda Ronstadt dominated popular music in the 1970s with a voice of tremendous range and power. She was one of the most important voices in the creation of country rock, in part because she understood how to sing traditional country songs like “Silver Threads And Golden Needles.” She regularly crossed over to the country charts in the ’70s, a rarity for rock singers. Working with producer Peter Asher, Ronstadt crafted a repertoire of songs that roamed throughout rock history that she interpreted with beautiful, precise phrasing. Ronstadt was especially good at singing early rock and roll; she had a long string of hits that revived interest in rock’s pioneers: Roy Orbison’s “Blue Bayou,” the Everly Brothers' “When Will I Be Loved” and Buddy Holly’s “That’ll Be The Day” among them. She was equally comfortable with Motown music and the beginning of new wave. Her finest work was the run of four consecutive platinum albums in the mid 70s: Heart Like A Wheel (1974), Prisoner In Disguise (1975), Hasten Down The Wind (1976) and Simple Dreams (1977). In the 1980s, she expanded her musical vocabulary by recording songs from the classic American songbook (What’s New, Lush ...
The song was there amid the highs and lows of the top 40, tucked among "Kung Fu Fighting," "Me and Mrs. Jones," "Maggie May," and countless other 70s one-offs, novelties and classics. The Staple Singers’ "I’ll Take You There" was in the air, like oxygen. Years after I first heard it in my parents’ kitchen on a transistor radio, it always seemed to be part of my life – I would find myself humming the bass line while waiting for an elevator or muttering "Ain’t no smiling faces" as I walked down a downtown Chicago street at rush hour. A few decades later, after hearing the song dozens if not hundreds of times, it dawned on me: There are only about five lines of verse in the entire song, spanning more than 4 minutes. The rest is just a magic act between the band (the Muscle Shoals rhythm section) and Mavis Staples, backed by her family.
In interviewing the people in the studio when "I’ll Take You There" was recorded, they all still sound in awe of what happened that day.
"The ‘I’ll Take You There’ session rates as high as any we ever did," guitarist Jimmie ...
With songs like "Sometimes Good Guys Don't Wear White," "Why Pick on Me" and "Riot on the Sunset Strip," the Standells brand of cranked-up garage rock in the 60s earned them a reputation as among the godfathers of punk rock. The fact their music has been covered by the likes of Aerosmith, Minor Threat, Bruce Springsteen and U2 – not too mention a litany of punk acts emerging in 1977 – illustrates that their knack for punchy hooks has engendered them to musicians and fans alike.
With an instantly recognizable-and easy to play-guitar intro, "Dirty Water" became a garage band staple in 1966. Onetime Four Preps member Ed Cobb wrote the song, but the Los Angeles–based Standells version recorded in a garage studio in southern California turned it into a growling classic. Once squeaky-clean, the Standells went proto-punk in a bid to glom onto the bad-boy image of British groups like the Rolling Stones and the Animals. Drummer/vocalist Dick Dodd (a former Mickey Mouse Club Mouseketeer) sneered his way through this tale of unrequited lust and of vitriol aimed at Boston. That city retaliated by banning "Dirty Water," which didn't hurt sales. The canny Standells went on to ...
This summer as rock and roll fans gather at musical festivals around the globe, the Rock Hall is celebrating the the greatest music festivals in history, the biggest and baddest music festivals of today and the fans who make Common Ground: The Music Festival Experience.
From June 12-15, the Bonnaroo Music and Arts Festival takes over Manchester, Tennessee, with a host of performances from some of the biggest names in music. Among the headlining acts and performers at Bonnaroo this year are a number of artists who also feature in the Rock and Roll Hall of Fame and Museum, in Cleveland, Ohio, including four Rock and Roll Hall of Fame Inductees.
Percussionist Mickey Hart was inducted into the Rock and Roll Hall of Fame in 1994 with his bandmates in the Grateful Dead. When Hart visited the Rock and Roll Hall of Fame and Museum in 2012, he shared stories about the first time he ever saw the Grateful Dead live and the San Francisco scene in the 60s. Pictured below is his illuminated signature in the Rock and Roll Hall of Fame in Cleveland, Ohio.
Bobby Womack was born in Cleveland, where he and his ...
Bobby Keys was one of the definitive sax players in the history of rock and roll. He played with seminal artists such as Buddy Holly, Del Shannon and Little Anthony and the Imperials, as well as some of the most influential UK bands of the 60s and 70s, including John Lennon.
Keys really was a link between the beginning of rock and roll and the British Invasion. He was also a crucial element of the Rolling Stones’ sound, making his mark on such tracks as "Brown Sugar." He played with the Stones so often and for so long that he’s really a part of the band.
It was a honor to have Keys in Cleveland for the Rock and Roll Hall of Fame's Annual Music Masters tribute to the Rolling Stones in 2013. He was an essential part of that program. Click here to view pictures from that unforgettable concert, including the time Bobby Keys performed alongside Chuck D. of Public Enemy.
Moreover, Bobby Keys was a genuinely warm, funny big-hearted man who’ll be missed tremendously.
Recorded backstage at the 2013 Music Masters, this video interview with Bobby Keys and Steve Jordan has the musicians trading stories ...
The Small Faces and Faces created some of the most inventive and lasting music of their time. Ian McLagan’s Hammond organ provided depth to the soulful aesthetic of the earlier mod group, and color to its later, and rowdier, incarnation featuring Ronnie Wood and Rod Stewart.
After the Faces broke up in 'mid-70s, McLagan went on to a solo career and was an in-demand session musician, working with the Rolling Stones, Bruce Springsteen, Bonnie Raitt, Jackson Browne and many others. For the last several years, he led the Bump Band, based out of Austin, Texas.
Just days before the Faces/Small Faces induction into the Rock Hall in 2012, McLagan, Wood, and Kenney Jones visited the newly opened Library and Archives in Cleveland for a book event. The intimate gathering provided a unique insight into the popular 60s and 70s groups.
The following year, McLagan and they also recently deceased Bobby Keys took the stage at the Annual Music Masters tribute concert honoring the Rolling Stones.
Mac’s talents and warm personality will be missed by fans, his many friends in music and all of us at the Museum. We were honored to count him as a friend and ...
On October 26, 2013, a once-in-a-lifetime collection of musicians gathered in Cleveland, Ohio, for the Rock Hall's Music Masters tribute to the Rolling Stones. That evening's concert at the Playhouse Square State Theater was anchored by a group of top flight musicians who have performed with the Rolling Stones over their 50-year career and contributed to shaping the band’s extraordinary sound.
Grammy Award-winning drummer Steve Jordan led the house band as musical director, assembling a group of critically-acclaimed musicians, including 2012 Rock and Roll Hall of Fame Inductee Ian McLagan.
McLagan had played on the Rolling Stones' Some Girls album and toured with the group in 1978, 1981 and 1982.
Among the incredible performers sharing the stage with McLagan that night was the incomparable Bobby Keys, the legendary sax player for Elvis Presley, Joe Cocker, B.B. King and others, including the Rolling Stones. Keys had been recording and touring with the Rolling Stones since 1970, appearing on Let It Bleed, Sticky Fingers, Exile On Main Street, Goats Head Soup, Emotional Rescue and several live albums.
WATCH: In the clip below, Bobby Keys delivers a fiery solo during a jam on the Rolling Stones' Sticky Fingers cut ...