Debates about the predominance of singer over song (or vice versa) reign eternal. The Temptations' "My Girl" makes a case for the song. It has one of the most memorable melodies of the rock era, one of Smokey Robinson's most memorable lyrics, and a choral structure that could serve any harmony group from early-1950s doo-woppers to Boyz II Men. Here, meaning comes just as much from atmospheric production and arrangement (also by Robinson, with fellow Miracle Ronnie White) as it does from the song itself. The sound has the ozone-intoxicated feeling you get after a summer thunderstorm. Bass and guitar parts – particularly that unforgettable intro – rank with the era's most exquisite, and also set up the declamatory crooning of lead vocal. Perhaps the most thrilling moment comes with the soaring bridge: strings and guitar shimmer against the Temptations' hey hey hey, out of which Ruffin emerges with a swooping yet understated oooh yeah. The offhanded ejaculation gives the rest of the lyrics' romanticism complete credibility.
The Temptations are among the artists featured in the Detroit section of the Rock and Roll Hall of Fame and Museum's Cities and Sound exhibit, part of the Museum's permanent collection.
Born on March 1, 1944, Roger Daltrey injected the Who's songs with expressive muscularity and passion. Daltrey made a natural rock and roll frontman, theatrically swinging the microphone and proving the ideal, angst-projecting foil to Who songwriter/guitarist Pete Townshend's "windmill" strumming and instrument destroying antics and drummer Keith Moon's explosive – sometimes literally – playing. With rock-steady bass virtuoso John Entwistle, the four evolved from purveyors of Mod-era "maximum R&B" to visionary, literary creators of concept album narratives and singular rock opera productions. Simply put: the Who created some of rock and roll's most enduring and powerful anthems.
In mid-1965, Daltrey and the Who were unflagging devotees of R&B, though their reverence ultimately started to stifle creativity. Hoping to shake things up on the compositional front, manager Kit Lambert demanded a new anthem to go with the image they didn't have yet. Pete Townshend responded with a primitive home demo of "My Generation." Arranged as a talking blues number, it didn't sound much like his generation. With a terse order to make it beefier, Townshend returned with a version deemed chunky enough to warrant a group whack at a demo session, which Lambert ...
In a career that has spanned more than 30 years, 2006 Rock and Roll Hall of Fame Inductee Glen Matlock has made indelible contributions to music as the original bass player with the Sex Pistols, founder of the New Wave act Rich Kids, and collaborator with a variety of artists ranging from Iggy Pop to fellow original School of ’76 Brit Punk Rockers the Damned to neo-rockabilly singer Robert Gordon – all while pursuing his own musically distinctive direction. Matlock released Born Running in 2010, and has been taking the coveted bass playing role in the reformed Faces with fellow Hall of Fame Inductees Rod Stewart and Ronnie Wood.
On the other side of the Atlantic from Matlock, before joining the New York Dolls in 1971, Sylvain Sylvain was a member of the band Actress, also featuring the Dolls' Arthur Kane, Johnny Thunders and former fashion partner Murcia. He played rhythm guitar in the proto-punk group the New York Dolls (replacing Rick Rivets), from 1971 until the group’s final dissolution in 1977.
On Tuesday, March 18 at 7 p.m., in the Rock and Roll Hall of Fame and Museum's intimate Foster Theater, Matlock and Sylvain will perform an ...
What happens when two musical giants collide, when two Rock and Roll Hall of Fame Inductees defying genres and generations share the stage? On October 28, 1970 just that happened on Johnny Cash's TV variety show, when he welcomed "the great Louis Armstrong." Cash opened the introduction, remarking: "This country has given the world three original art forms – country music, jazz and Louis Armstrong."
Promoting his 1970 collection of country and western standards (fittingly titled Country & Western) and sporting an oversized cowboy hat, Armstrong sang "Crystal Chandeliers," the country classic originally sung by Charley Pride; and "Ramblin' Rose," a song made popular by Nat King Cole.
With the performance wrapped, Armstrong took a seat beside Cash, both musicians holding their instruments of choice: a trumpet and a guitar, respectively. "You've been at it a long time," Cash said to Armstrong. "I know that. We did a little research on some of your recordings; we find that on July 16, 1930, you played trumpet on a session with the late Jimmie Rodgers, the Father of Country Music. That was in Hollywood, right?"
Armstrong explained the ostensibly unlikely pairing: "We had a meeting one morning and Jimmie said, 'Man, I ...
Today, the Rock and Roll Hall of Fame announces ticketing information for the 29th Annual Rock and Roll Hall of Fame Induction Ceremony. The 2014 Ceremony will take place on Thursday, April 10, 2014 at Barclays Center in Brooklyn, New York, and will again be open to the public, as it has been for the Induction Ceremonies in Cleveland (2009, 2012) and Los Angeles (2013). This will be the first time that the ceremony will be open to the public in New York.
The ceremony will honor this year’s recently announced Inductees: Peter Gabriel, Daryl Hall and John Oates, KISS, Nirvana, Linda Ronstadt and Cat Stevens; as well as Ahmet Ertegun Award for Lifetime Achievement Inductees Brian Epstein and Andrew Loog Oldham; and Award for Musical Excellence Inductee The E Street Band. Details about performances, presenters and special guests will be announced at a later date. The Induction Ceremony will premiere on HBO in May.
Ticket Purchase Information
American Express Card Members can purchase tickets before the general public beginning Monday, February 24 at 9 am EST through Friday, February 28 at 10 pm EST.
The public on-sale will begin on Saturday, March 1 at 10 am EST. To ...
Although her relationship with John Lennon is often paramount in the rock world's esteem of her, Yoko Ono remains a pivotal figure in the evolution of conceptual art, challenging perceptions with avant-garde and experimental installations, music, fashion and more. For decades, Ono has also been a champion of peace and understanding, and a tireless activist: from the "Bed-ins for Peace" with husband John Lennon in 1969 that ultimately beget "Give Peace a Chance" to creating Artists Against Fracking in 2012 with her son, Sean Lennon, to protest the controversial drilling method.
On her 81st birthday, Yoko Ono opens up on her relationship with Paul McCartney, recording with members of the Beastie Boys, writing about and with her son Sean Lennon and celebrating her late husband's legacy.
Rock and Roll Hall of Fame: John was inducted into the Rock and Roll Hall of Fame as a solo artist back in 1994. Paul McCartney inducted him and read a letter to him, and you accepted the award. What was that like?
Yoko Ono: It was good, but it was a long time ago. I was very, very happy that John was inducted, and it was very sweet of Paul to ...
This week, the Rock Hall's Library and Archives unveiled a new collection of rare and candid photographs donated by Grammy Award-winning harmonica player Sugar Blue.
Perhaps best known for his signature riff and solo on the Rolling Stones' hit "Miss You," harmonica virtuoso Sugar Blue (born James Whiting) made his first recordings in 1975 with legendary bluesmen Brownie McGhee and Roosevelt Sykes. Blue can be heard on the Rolling Stones' Some Girls, Emotional Rescue and Tattoo You. He received a 1985 Grammy Award for his work on the compilation album, Blues Explosion, recorded live at the Montreux Jazz Festival. Blue has performed and recorded with musicians ranging from Willie Dixon to Stan Getz to Frank Zappa to Bob Dylan. Blue was among the featured performers at the 18th Annual Music Masters concert, honoring the music of the Rolling Stones.
The Sugar Blue Photographs collection at the Rock Hall's Library and Archives includes seven digital images of the award-winning harmonica player performing with various collaborators and contemporaries, including Eric Clapton, Buddy Guy, John Lee ...
Sunday, February 9, 1964 was the day that changed music and pop culture forever. The Ed Sullivan Show was one of the most popular television programs in the United States and at 8pm Eastern Standard Time, the Beatles made their live debut on American national television before an estimated 73 million people. This single television appearance mesmerized an entire generation. How many future musicians’ dreams began that day? How many kids were inspired to form bands and be like the Beatles? Virtually every famous American rock musician would say later: “When I saw the Beatles on Ed Sullivan it changed my life.”
It was on that Sunday night that the Beatles conquered America and Beatlemania had taken hold of the nation. Their music, mop-top hairstyles, matching suits and "Beatle" boots all helped create the image that we all know and love, but it was their instruments that also made a huge impression on everyone watching. Paul McCartney’s Hofner 500/1 bass, John Lennon’s 325 Rickenbacker guitar, George Harrison’s Gretsch Country Gentleman and Ringo Starr’s Ludwig drum set, all became extensions of each of their personalities.
This instrumental lineup was a major part of America’s first ...