2012 Rock and Roll Hall of Fame inductee Bobby Bennett of the Famous Flames passed away on January 18, 2013, at age 74. For 15 years, the Famous Flames provided impassioned vocals and frenetic choreography alongside James Brown, helping to create among "the greatest stage shows of all time," according to former Rock Hall president and CEO Terry Stewart. Bennett – previously Brown's valet – joined the group in 1959, and along with Bobby Byrd, Johnny Terry and "Baby" Lloyd Stallworth, helped form the definitive lineup of the Famous Flames.
The Famous Flames were a vital element in Brown's success, as their electric stage presence made Brown's performances legendary. Before being dubbed the "Godfather of Soul," Brown was a Famous Flame, and it was his years with that group that made him a driving force in the world of soul music. "A lot of people didn't know that James Brown was the same as I was: a Flame," said Bennett in an April 2012 interview with the Rock Hall.
The group is audible on the 1963 classic album Live at the Apollo. Bennett and the other Famous Flames can been seen in footage from The T.A.M ...
Tuesday, January 8, 2013 would have been Elvis Presley's 78th birthday. Presley was among the first ever inductees into the Rock and Roll Hall of Fame in 1986, an honor befitting his standing as the undisputed King of Rock and Roll. Presely rose from humble beginnings to launch a musical revolution, helping guide the trajectory of the rock and roll genre for deacades. But is "That's All Right" where the legend of Elvis began? What's certain is that "That's All Right" was Elvis Presley's first commercially released recording. He had previously made two private recordings, whose four songs give absolutely no hint of what was to come. Neither did two additional songs Presley tried before "That's All Right" during a faithful July 5, 1954, recording session. That Presley was recording at all is a tribute to Sam Phillips. Phillips' Memphis Recording Service was where Presley had cut his private acetate records and where he would sometimes hang out, trying to find an opening in the music business. Phillips contacted Presley after receiving a song demo he thought might suit the shy teenager. It didn't, but Phillips persevered. He called for the July 5 ...
In 1974, Elvis Presley returned to his adopted hometown and the city that gave him his start: Memphis, Tennessee. More than two decades after his first recordings at Sam Phillips' Memphis Recording Service, Presley performed five sold-out shows, the fifth and last of which was recorded and released as Elvis Recorded Live on Stage in Memphis by RCA. In this video, curatorial director Howard Kramer shares the stories behind some of the artifacts in the Rock and Roll Hall of Fame and Museum's Elvis Presley exhibit in Cleveland, Ohio, including the "King of Spades" jumpsuit Presley wore and the handwritten setlist he penned for that memorable performance.
To learn more, visit the Rock and Roll Hall of Fame and Museum on Tuesday, January 8, 2013 – what would've been Elvis Presley's 78th birthday – when curatorial director Howard Kramer will lead a special "Gallery Talk," sharing stories behind some of the rare Presley artifacts on exhibit at the Museum. Click here for more info!
Below you’ll find a list – presented in no particular order – of my favorite rock and roll holiday songs. This was not an easy list to whittle down to a Top 20, so I encourage you to share the holiday songs that resonate most with you.
Happy Holidays and Happy New Year! Come to Cleveland and visit us at the Rock and Roll Hall of Fame and Museum!
After presenting at the Rock Hall Library and Archives in Cleveland, Ohio, on August 23, 2012, RJ Smith, author of The One: The Life and Music of James Brown, visited the Rock and Roll Hall of Fame and Museum, where he discussed discoveries made while researching The One and how James Brown influenced many rock and roll musicians, including the Rolling Stones and the Who. Here, RJ Smith talks with the Rock Hall in the Museum's Cities and Sounds exhibit, in front of the "Respect – the Sound of Soul" display containing, among other artifacts, James Brown's "Sex" jumpsuit, which he wore on stage during the 1970s.
The Dells are one of the longest-lived rhythm & blues vocal groups. Their origins date back to 1952, and the group’s original lineup – lead tenor Johnny Funches, second tenor Verne Allison, lead baritone Marvin Junior, baritone Michael “Mickey” McGill and bass Chuck Barksdale – changed only when John E. Carter replaced Funches in 1959. Between 1956 and 1992, the Dells racked up an astonishing 46 R&B hits. Eight of those made the pop Top 40, including their signature songs, “Stay in My Corner” and “Oh, What a Nite.” They were inducted into the Rock and Roll Hall of Fame in 2004.
In this clip, curatorial director Howard Kramer shares the story behind the Dells and their onstage battle against 1996 Hall of Fame inductees Gladys Knights and the Pips at the Apollo Theater in New York City. The Dells are featured in a special exhibit at the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio.
In June 1951, Jackie Brenston and his Delta Cats had the Number One single on the Billboard R&B charts with "Rocket 88." More pointedly, the recording – along with Louis Jordan's "Saturday Night Fish Fry" (1949), Wild Bill Moore's "Rock and Roll" (1949), Fats Domino's debut single "The Fat Man" (1949) and Jimmy Preston's "Rock the Joint" (1949), among others – ranks among the first incarnations of the genre that would come to be known as rock and roll. In fact, many consider "Rocket 88" the first rock and roll record.
Born in Clarksdale, Mississippi, Jackie Brenston was a forceful singer and a capable baritone sax player. By the close of the 1940s, he had joined the Kings of Rhythm, which had formed around the nucleus of Ike Turner in Mississippi. Farther north, in Memphis, Tennessee, Sam Phillips had opened his Memphis Recording Studio alongside the Sun Records label at 706 Union Avenue at the start of 1950 (he would later change the name to Sun Studios). Although the operation would go on to record the works of B.B. King, Howlin' Wolf, Johnny Cash, Carl Perkins, Roy Orbison and Jerry Lee Lewis, to name but ...
As one half of Booker T. and the MGs’ rhythm section, Donald "Duck" Dunn was house bass player at the legendary Stax label, where his artistry helped define one of the most distinctive and enduring sounds in popular music. Among the recordings for which Dunn laid down the bottom end: Otis Redding’s “Respect,” “Dock of the Bay” and “I've Been Loving You Too Long;” Wilson Pickett's “In the Midnight Hour” and Sam and Dave’s “Hold On I'm Coming” and “Soul Man.” He also played on sessions with such artists as Neil Young, Eric Clapton and Jerry Lee Lewis, to name but a few.
Born in Memphis on November 24, 1941, Dunn was given his nickname by his father as the two watched a Donald Duck cartoon on television. Although one of his grandfathers played fiddle, there was no music in Dunn’s immediate family. He recalled: "My father was a candy maker. He made peppermints and hard candies. He didn't want me to go into the music industry. He thought I would become a drug addict and die. Most parents in those days thought music was a pastime – something you did as a ...