Born in Liverpool on February 25, 1943, George Harrison was the more subdued, pensive – "quiet" – Beatle, and he carried this persona with him into his solo career. With 11 studio albums, including his sprawling masterwork 1970's All Things Must Pass and a late-career gem, 1987's Cloud Nine, Harrison's rock and roll legacy is enduring. Deft at seamlessly bridging his immersion in Hindu religion, Krishna consciousness and Vedic philosophy, with pure pop sensibility, Harrison's solo oeuvre resulted in such hits as “My Sweet Lord” (from All Things Must Pass), ”Give Me Love (Give Me Peace On Earth)" (from 1973's Living in the Material World), "All Those Years Ago" (from 1981's Somewhere in England) and the infectious soul remake "Got My Mind Set On You" (from Cloud Nine).
"He often said he wasn't pursuing a solo career at all – he never hired a manager or had an agent," recalled Tom Petty at the 2004 Rock and Roll Hall of Fame Induction Ceremony, when he and Jeff Lynne of Electric Light Orchestra inducted Harrison. "He just loved playing music with his friends. And he loved guitars. And he loved rock and roll. And he loved ...
On Friday, February 22, 2013, Hall of Fame Inductee Bobby Womack will perform live at the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio. Joined on stage by his full band, including horn section and backup singers, Cleveland native Womack promises a setlist brimming with fiery classics from his storied recording career, as well as cuts from his 2012 release, The Bravest Man in the Universe.
In advance of Womack's concert and interview in the Museum's Foster Theater, the Rock Hall looks at six brilliant Womack songs covering the period of 1964 to 2012.
The Valentinos – “It’s All Over Now”
Bobby Womack sings lead on this 1964 song he wrote with Shirley Womack, and recorded with his brothers Friendly, Jr., Curtis, Harry and Cecil. Within a month of its release, the Rolling Stones had their first Number One hit in the UK with a cover of this song. Womack continued to make the song his own in later years as a solo artist.
Bobby Womack – “That’s the Way I Feel About ‘Cha” from Communication (1971)
This song was ...
Born on February 19, 1940, Smokey Robinson is among the most enduring songwriters of the 1960s. He also produced great records, notably by his own group, 2012 Hall of Fame Inductees the Miracles, and by the Temptations, Mary Wells and Marvin Gaye. Finally, Robinson was a great performer, the longest-lasting aspect of his career. But performing was Robinson's least predictable talent. He couldn't really be called a soul singer. Jackie Wilson influenced every first-generation male Motown singer, but even at the Miracles' most raucous, Robinson was no belter like Wilson. His singing bore traces of doo-wop and 1950s R&B, but no gospel. He was the most controlled of the great soulsters, at his best as an unruffled ballad singer – Motown's answer to Bing Crosby, or at least Billy Eckstine. "The Tracks Of My Tears" may be Robinson's greatest record. Without disparaging his beautifully disciplined voice, its power comes from elements in the arrangement: huge drums, a lovely guitar line and sharp horns. Then there are the lyrics, with their irresistible rhymes. "My smile is my makeup I wear since my breakup with you" is tremendous not because it's profound, but because it says ...
In June 1958, Buddy Holly met and fell in love with Maria Elena Santiago, a receptionist at Peer-Southern Music, Holly’s music publisher, in New York City. After proposing marriage on their first date, the two were married in Lubbock, Texas, in August. After their wedding, Buddy and Maria Elena Holly moved into an apartment at the Brevoort building, at 11 Fifth Avenue in Greenwich Village, on the site of a house once occupied by Mark Twain and just two blocks from Greenwich Village’s “beatnik” culture, which was in full swing by the late 1950s.
Living in the Village, Holly and Maria Elena would spend hours wandering around the streets, frequenting intellectual hangouts such as the Bitter End and Café Bizarre. “Buddy loved those places,” Maria Elena remembered. “The strange clothes the people wore, the poetry readings, the way they talked to one another. He loved the freedom, the way everyone was allowed to do their thing.” More than anything, Holly was attracted to the music that would literally drift down the street – blues, jazz, folk, even flamenco music.
By the time the young couple had settled into their Manhattan apartment, Holly had set up a recording and publishing ...
Miami University of Ohio’s Dr. Ricardo Averbach believes that even seemingly disparate musical styles can come together in powerful ways. As the conductor of the University Symphony Orchestra, Oxford Chamber Orchestra, and annual opera production, Dr. Averbach also collaborates regularly with Miami’s world music ensemble director. Fusing classical music and world music poses its own challenges, but musicians are often even more reticent to mix classical and rock and roll, despite a long tradition of marrying the two. One need only listen to any Phil Spector, Gamble and Huff or Arif Mardin–produced songs for examples. In fact, the Rock Hall's education department currently offers a class called “Ambassador to the Orchestra: The Arranger in Rock and Roll,” where students listen to and examine the music of Maxwell, Dusty Springfield, Metallica and the Beatles to explore the intersection of classical and rock and roll. The Rock Hall had partnered with classical music organizations before, including Red {an orchestra}, Contemporary Youth Orchestra and Cleveland Orchestra, so when Dr. Averbach and CODA’s President Dr. Anthony Holland of Skidmore College approached us with the idea of a collaboration, we were excited about the opportunity.
This month, the Rock and ...
2012 Rock and Roll Hall of Fame inductee Bobby Bennett of the Famous Flames passed away on January 18, 2013, at age 74. For 15 years, the Famous Flames provided impassioned vocals and frenetic choreography alongside James Brown, helping to create among "the greatest stage shows of all time," according to former Rock Hall president and CEO Terry Stewart. Bennett – previously Brown's valet – joined the group in 1959, and along with Bobby Byrd, Johnny Terry and "Baby" Lloyd Stallworth, helped form the definitive lineup of the Famous Flames.
The Famous Flames were a vital element in Brown's success, as their electric stage presence made Brown's performances legendary. Before being dubbed the "Godfather of Soul," Brown was a Famous Flame, and it was his years with that group that made him a driving force in the world of soul music. "A lot of people didn't know that James Brown was the same as I was: a Flame," said Bennett in an April 2012 interview with the Rock Hall.
The group is audible on the 1963 classic album Live at the Apollo. Bennett and the other Famous Flames can been seen in footage from The T.A.M ...
For more than half a century, Ronnie Hawkins – known variously as "Mr. Dynamo," "Sir Ronnie," "Rompin' Ronnie" and "The Hawk" – has been energizing crowds with his signature rockabilly swagger. Born in Huntsville, Arkansas, in January 1935, Hawkins would find his way to the Grange club in Hamilton, Ontario, on the recommendation of Conway Twitty. He never left, adopting Canada as his own and becoming a permanent resident in 1964.
In addition to hits that included "Hey, Bo Diddley," "Marylou" and his cheeky cover of Chuck Berry's "30 Days" (renamed "Forty Days"), Hawkins gained recognition for recruiting and grooming outstanding Canadian talent to play in his band, the Hawks. The rotating cast of musicians over the years included Robbie Robertson, Richard Manuel, Garth Hudson, Rick Danko and Arkansan drummer Levon Helm – the quintet that would leave the Hawks to back Bob Dylan before striking out on their own as the Band. Other incarnations of the Hawks included the members of Janis Joplin's Full Tilt Boogie Band, and another Ronnie Lane and the Disciples. John Lennon and Yoko Ono traveled to Hawkins' Ontario farm to plan a festival during the couple's peace crusade. In 1992, Hawkins was hired to ...
When he set his 1966 poem "Suzanne Takes You Down" to music for his 1967 debut album, The Songs of Leonard Cohen, the Canadian author-musician found a linchpin between the worlds of pop music and literature and empowered the emerging singer-songwriter sub-genre in the process. First recorded and popularized by urban folk performer Judy Collins, "Suzanne" drew melodically from cabaret and European art song, while its lyrics – inspired by a real woman (Suzanne Vidal), a real city (Montreal) and an imaginary love affair (Cohen's visionary genius) – transformed the everyday details of life into a hallucinatory religious experience. A gently arpeggiated guitar figure rolls like the cosmos around the singer as he murmurs a litany of observations – some crazy, some profound, all of them Suzanne. A contemplation of love and consciousness awash in an acoustic dreamscape, "Suzanne" stood apart from both the psychedelic hard rock and the protest songs of the late Sixties and endures, in hundreds of cover versions, as one of the most compelling songs Cohen has ever written. Cohen was inducted into the Rock and Roll Hall of Fame in 2008. Click here to watch Lou Reed induct Leonard Cohen, Cohen's singularly poetic Hall of ...