The members of the Beatles fell under the spell of rock and roll early on. When the new sound first broke in 1955 and 1956, it caught the attention of Ringo Starr, John Lennon, Paul McCartney and George Harrison. The lads bought rock and roll records and went to movies where they could see rock and roll stars perform.
As a band, the Beatles are often regarded as being second-generation rock and rollers, but as kids and as players, they were very much inspired by rock's first generation. They fell in love with rock's “big bang” moment; artists like Little Richard, Chuck Berry, Fats Domino, the Everly Brothers, Buddy Holly and other artists that would be key to their sound and genesis as a band. As the formative Beatles coalesced, they covered songs by the artists they liked, adding early rock and roll cuts to the set lists as they honed their group dynamic.
Sometimes the Beatles are said to have saved rock and roll. However, at the time the group landed stateside in 1964, Motown had already been cranking out hits ...
"This is how we saw most of the world when it got big for the Beatles," says Rock and Roll Hall of Fame Inductee Ringo Starr of his PHOTOGRAPH tome from Genesis Publications. "You'll find several of the shots in this book are from my point of view, looking out of a car window. That's just how it was. You had to get to the gig, and then get away from the gig to wherever you were going next."
PHOTOGRAPH gives rock fans a first-hand look into Starr's life behind – and away from – the drum kit. With more than 250 rare and unseen photographs from Starr's personal collection, PHOTOGRAPH compiles mementos and memories from his childhood, the Beatles and beyond. "I love pictures put together, showing different times of your life," says Starr. "At the time, I never thought that there would be a whole book of my photographs."
By December 1963, England had enjoyed nearly a year of Beatlemania. The Fab Four – George Harrison, John Lennon, Paul McCartney and Ringo Starr – had sold millions of records for EMI's Parlophone imprint. The group’s first single, “Love Me Do”/”P.S. I Love You,” briefly dented the U.K. Top 20 in October 1962, but their next 45, “Please Please Me,” formally ignited Beatlemania in their homeland, reaching the Number Two spot. It was followed in 1963 by three consecutive chart-topping British singles: “From Me to You” “She Loves You” and “I Want to Hold Your Hand.” They conquered the U.K., even inducing a classical music critic from the Sunday Times to declare them “the greatest composers since Beethoven.” Moreover, they were the greatest rockers since the composer of “Roll Over Beethoven” – Chuck Berry. Still, success in America remained elusive for manager Brian Epstein and his young charges, as Capitol – EMI's American label – refused to release the Beatles' first four British singles, one label executive noting, "We don't think the Beatles will do anything in this market." Everything would change with "I Want to Hold Your Hand."
The Beatles first arrived in America on February 7, 1964, at New York's Kennedy Airport. Two days later, on February 9, the Beatles appeared on The Ed Sullivan Show broadcast from New York City, reaching an audience of more than 70 million people. The Fab Four would perform again on Ed Sullivan on February 16, in Miami. Those landmark performances are well documented, but one performance on February 12, 1964 has an element of great mystery: missing Beatles concert footage that would be of interest to any Beatles fan!
The Beatles made their Carnegie Hall debut on February 12, 1964. The show was typical of the nascent days of Beatlemania – screaming fans, confused adults, rock and roll. But behind the Beatles, sitting on the Carnegie Hall stage sat a group of individuals, including a woman with a film camera. Who is that woman and what did she capture from that momentous performance? And where is that footage?
With the help from our friends at the Carnegie Hall Archives, we are enlisting Beatles fans from all over the world to assist Carnegie Hall’s ...
It was star-studded night at the 56th annual Grammy Awards. With artists – new and old – coming together, and a handful of Rock and Roll Hall of Fame Inductees taking to the stage. The night included rememberances of Hall of Fame Inductees Lou Reed and Phil Everly, as well as 2014 Rock and Roll Hall of Fame Inductee Dave Grohl taking honors for best rock song for “Cut Me Some Slack,” a collaboration from his Sound City soundtrack that features Paul McCartney, former Nirvana bandmate and fellow 2014 Inductee Krist Novoselic and Pat Smear. From Paul McCartney and Ringo Starr to Madonna to Stevie Wonder, there were numerous Inductees getting into the live act at the Grammy Awards.
Dozens of couples, representing all demographics: gay, straight, interracial, young and old said “I do” during Macklemore & Ryan Lewis’ performance of “Same Love” featuring Mary Lambert and Rock Hall Inductee and seven-time Grammy Award–winner Madonna. Lewis, the group’s producer, told The New York Times, the wedding “will be in our minds the ultimate statement of equality, that all the couples are entitled to the same exact thing.”
Remembered not only as a peerless songwriter but also as a formidable personality and cheerful raconteur, 1992 Rock and Roll Hall of Fame Inductee Doc Pomus was one of the real characters from rock and roll’s golden era. Atlantic Records producer and co-owner Jerry Wexler succinctly described his sphere of influence: "If the music industry has a heart, it would be Doc Pomus."
Pomus authored among the greatest songs in rock and roll history: "This Magic Moment" (recorded by the Drifters), "A Teenager in Love" (recorded by Dion and the Belmonts) and "Save the Last Dance for Me" (recorded by Ben E. King). Elvis Presley recorded at least 20 Pomus originals. In Cleveland, the Rock and Roll Hall of Fame and Museum's collection includes the hand-written lyrics to "Save the Last Dance for Me," which Pomus wrote at his wedding, while watching his new bride, Wilma Burke, dancing (pictured below).
Born Jerome Solon Felder in the Williamsburg section of Brooklyn on June 27, 1925, he adopted the name Doc Pomus to hide his singing from his parents. Stricken with polio as a child, Pomus was confined to crutches and a wheelchair, though it never slowed him down. For ...
“'I Walk the Line' was a hit in November of 1956, that’s about a year before I was born, so it really is a part of the world that I know. But that’s the way it seems with great songs and great artists. Their impact on people is such that you can’t imagine what the world would be like or sound like without them.”
That was Lyle Lovett describing the first Johnny Cash song he ever heard, when he inducted Cash at the 1992 Rock and Roll Hall of Fame induction ceremony (watch video of Lyle Lovett inducting Johnny Cash into the Rock and Roll Hall of Fame).
“I Walk the Line” hit Number One on the country Billboard charts and crossed over into the pop Top 20. Nearly six decades after "I Walk the Line" – and more than a decade after his passing in 2003 at age 71 – new, never-before-heard material from The Man in Black is scheduled for release in Spring 2014.
Pictured (l-r): 1943 Martin acoustic guitar played by Johnny Cash during his Sun Records recording sessions from 1955 to 1958; c.1955 suit worn by Johnny Cash during his time with Sun Records ...
Over the course of a short career that only lasted a little more than five years, the Doors had a tremendous impact on rock and roll. They were a truly unique group, with a singer, Jim Morrison, who was a genuine poet with an almost mythical persona. Unlike most bands at the time, the Doors did not have a bass player. Ray Manzarek played the bass lines on his keyboards. John Densmore was a solid, steady drummer. And Robby Krieger was an elegant guitarist with a distinctive style unlike the blues-based guitar leanings favored by most his six-string peers. 20 years after being inducted into the Rock and Roll Hall of Fame in 1993, Robby Krieger sits down for an exclusive interview with the Rock Hall, reflecting on the passing of friend and bandmate Ray Manzarek, patching up differences with John Densmore, the Doors' greatest moments, where the Doors would've gone had Jim Morrison lived, Jimi Hendrix, the Rolling Stones, what he's listening to now and more.
Rock and Roll Hall of Fame: First, let’s talk about Ray Manzarek’s death…. Did you see that coming? Had he been sick for a while?
Robby Krieger: Not really ...