rock :: Blog
Behind the Scenes: "Rolling Stones: 50 Years of Satisfaction"
An exclusive behind-the-scenes look at the making of the Rock and Roll Hall of Fame and Museum's new exhibit highlighting 50 years of the Rolling Stones. The exhibit, Rolling Stones: 50 Years of Satisfaction, opens to the public on May 24, 2013, and will span three floors, more than 4,000 square feet and feature hundreds of items -- instruments, clothes, handwritten correspondence, art, photographs and more -- from the Rolling Stones' amazing history as the "World's Greatest Rock and Roll Band."
Watch the video below for a sneak peek at the Rock and Roll Hall of Fame and Museum's new Rolling Stones exhibit.
War's Lonnie Jordan Talks Music, Playing with Eric Burdon and Jimi Hendrix's Final Performance
The six founding members of War – the late Papa Dee Allen and Charles Miller, survivors Harold Brown, B.B. Dickerson, Lonnie Jordan and Howard Scott – were gigging around L.A. for nearly a decade before hooking up with Eric Burdon (ex-Animals) and Danish harmonica player Lee Oskar in 1969. Burdon and producer Jerry Goldstein named them War, and they backed it up with a steamy Afro-Latin R&B groove that rocked their debut hit “Spill The Wine.” Less than two years later, Burdon dropped out and War went their own way in 1971. A long string of Top 10 pop/R&B crossover hits established War’s status through the Seventies, always with a social message grounded by their distinctively breezy Southern California vibe. In this interview with War founding member Lonnie Jordan, he shares his first memories of playing, how War first connected with Eric Burdon and jamming with Jimi Hendrix during what would be his last public performance.
Rock and Roll Hall of Fame: How did you first become interested in playing music?
Lonnie Jordan: As a kid, I used to watch old black-and-white movies. Now keep in mind I'll be 65 this year, so when ...
Inside the Rock and Roll Hall of Fame
On April 18, 2013, the Rock and Roll Hall of Fame officially ushers the 2013 class of inductees into the Hall of Fame during the 28th annual Rock and Roll Hall of Fame induction ceremony. The class – Lou Adler, Heart, Quincy Jones, Albert King, Randy Newman, Public Enemy, Rush and Donna Summer – are represented in the Rock and Roll Hall of Fame and Museum in Cleveland's newest exhibit. In the series of clips below, get a behind the scenes look at the 2013 Rock and Roll Hall of Fame Inductees exhibit. Visit the Rock and Roll Hall of Fame and Museum to see the new exhibit!
Lou Adler
Heart
Quincy Jones
Albert King
Randy Newman
Public Enemy
Rush
Donna Summer
Interview with John Mayer, reflecting on 2013 Hall of Fame Inductee Albert King
The consistency with which John Mayer combines word craft and melody has earned him rarefied status as a respected songwriter and musician. As one of few musicians to achieve both critical acclaim and popular appeal, the seven-time Grammy Award winner has earned accolades for each album release while selling more than 17 million albums worldwide.
Known as a musician who defies genre boundaries, Mayer is well known for collaborations with a range of artists. From rock to blues, hip-hop to jazz to country, Mayer has performed and/or recorded with Hall of Fame inductees Eric Clapton, BB King and Buddy Guy, as well as T-Bone Burnett, Herbie Hancock, Dixie Chicks, Jay Z and Alicia Keys.
On April 18, 2013, John Mayer will induct legendary blues man Albert King into the Rock and Roll Hall of Fame at the 28th Annual Hall of Fame Induction Ceremony. Mayer will also perform a tribute to Albert King with Gary Clark Jr.
In this interview with John Mayer, the musician reflects on the lasting influence of Albert King, including how King's music first resonated with him and why King belongs in the Rock and Roll Hall of Fame.
Rock Hall: What's your ...
Muddy Waters and the Rolling Stones
In the history of rock and roll, Muddy Waters represented the tide that brought the Southern blues traditions to the north and amplified them. Along the way, he inspired the name of among the biggest rock and roll bands of all time – the Rolling Stones – and countless other artists who emerged in his wake.
Muddy Waters was born McKinley Morganfield on April 4, 1913, in Issaquena County, Mississippi. Following his mother’s death in 1918, McKinley, the son of a farmer, was raised by his grandmother who lovingly gave him the nickname “Muddy” after his fondness for fishing and playing in a muddy creek. Being a pioneer of the Delta blues, Waters eventually took his talents on the road and landed at Chess Records in Chicago, Illinois. Many of the songs that Waters recorded have become blues landmarks, including “Honey Bee,” “(I’m Your) Hoochie Coochie Man,” “I Just Wanna Make Love to You” and “Got My Mojo Working.”
In the Sixties, Waters played a large role in the blues revival that took American blues “across the pond.” A youthful group of Brits who formed a band in 1962 – Mick Jagger, Keith Richards, Brian Jones, Charlie Watts, Ian Stewart and ...
In the Museum: 9/11 Memorial Guitars
Tommy Clarke is a native New Yorker and was a first-responder at the World Trade Center on September 11, 2001. His experience at the tragedy profoundly changed his life. Clarke felt a duty to keep alive the memory of those who died that day, as well as the survivors who still suffer effects from the attacks and the collapse of the towers.
Clarke enlisted his longtime friend and three-time Rock and Roll Hall of Fame Inductee Eric Clapton to create something to honor the three services of first responders – the New York Police Department, the Fire Department of New York and the Port Authority of New York and New Jersey. Clapton brought in master luthier Todd Krause from the Fender Guitar Custom Shop and legendary graffiti artist Lee Quinones to design and build three guitars.
Quinones interviewed many 9/11 survivors to get their thoughts and impressions about the events. With their stories as inspiration, Quinones and Clarke conceptualized the renderings that Quinones then painted on the back of each guitar. Clarke secured authentic badges and commendation bars, and Krause installed them on the instruments he built himself. Clapton brought these guitars on tour with him in 2011 and played ...
10 Essential Irish Rockers
The Rock and Roll Hall of Fame will offer a free showing of U2 3D with the purchase of an adult admission on Sunday, March 17 or Monday, March 18 to enjoy Ireland's most popular rock band. Print or show this post to the Rock and Roll Hall of Fame box office for your free U2 3D ticket. Click here for U2 3D showtimes.
From the Northern Ireland counties to the southern cities of the Republic, Ireland has been – and continues to be – home to some of the world's best known and most-beloved musicians. With a diverse cast of voices and music, Ireland's contributions to rock and roll have expanded the boundaries of the genre. Artists have acted as a force for change and forward thinking, while providing a record of tradition. Songwriters have delivered uniquely Irish narratives, though rich with universal themes and the human experience.
In the spirit of St. Patrick's Day, the Rock and Roll Hall of Fame and Museum shares its 10 essential Irish rockers.
10 Essential Irish Rockers
Them – "Gloria"
Released in 1964 as the b-side to "Baby, Please Don't Go" (itself a smoldering cover of the Big Joe Williams ...
Album Notes: The Rolling Stones – Exile on Main St.
I was seven years old when Exile on Main St. was released in 1972. It wasn't until later in the decade that I first heard the album, though I was already a Rolling Stones fan by then. My earliest rock and roll mentors – friends and family, and musicians and writers that I admired – told me Exile was the Stones record to have, so I picked up a used, well-worn copy on vinyl. The dog-eared double LP jacket was ragged and looked like hell; long gone were the dozen postcards that came with the original packaging. However, the scratched wax delivered an electric sound.
Those sounds – like my battered copy's packaging – were gritty, rough, perfectly unpolished. The album was filled with bravado, the songs seemingly shambolic, unrehearsed and the playlist was sprawling, with more than a dozen tracks. The Stones tapped into America's eclectic songbook, borrowing lines from country, blues, soul, swamp and the heyday of the rock and roll era – and it all sounded genuine. The recording of Exile was shrouded in mystique, a model of rebellion amid tales of wild decadence and hedonism at Nellcôte, the French mansion-cum-studio rented by Keith Richards. Even the ...
