In the pantheon of rock and roll's greatest guitarists, there is a cadre of fabled axemen who consistently bubble to the top, including such Hall of Fame Inductees as Jeff Beck, Chuck Berry, Eric Clapton, Jimi Hendrix, Robert Johnson, BB King and Jimmy Page – all artists represented at the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio. And no discussion of six-string masters would be complete without Eddie Van Halen, the innovative firebrand that turned the world of guitar playing on its ear in the late 70s and early 1980s. "I was so used to doing old blues licks with the first three fingers," Van Halen once explained to a reporter. "When I started using my pinky and finding more spread things, that's when I started getting my own style." That style went on to influence millions of budding shredders. Here are five tracks that contributed to that influence:
Guitar Solo, from Live Without a Net (1986)
Van Halen went out with something to prove during the live tour for the 5150 album. With new singer Sammy Hagar, the band had to show fans and critics alike that it could keep rocking without Diamond Dave ...
Recently, former Black Flag frontman, solo artist and writer Henry Rollins shared his top 10 underground songs of all time with Esquire magazine. So what does that have to do with Cleveland's rock history? Turns out, a lot.
Mid-70s Cleveland was the perfect breeding ground for a band like Pere Ubu. The city had seen better days, and amid the post-industrial bleakness, a group of young creative men formed Pere Ubu. "Ohio was one of the most fertile grounds for what could be called underground music. I could make this list only using bands from this state and do just fine," Rollins said. "David Thomas, Pere Ubu's vocalist and leader of the band to this day, has been making records under the Pere Ubu moniker as well as solo for decades. He is one of my favorite performers, and I see him whenever the opportunity presents itself. The band's early singles are now fairly pricey items... What is true of [the Pere Ubu track] 'Final Solution' is true of this initial batch of Ubu. It is visionary stuff from the schools of rock, what would be called punk, and art, all mixing with time, place, and restless ...
After countless hours researching, interviewing Rock and Roll Hall of Fame Inductee Paul Simon and collecting for Paul Simon: Words and Music, Rock and Roll Hall of Fame and Museum lead curator Craig Inciardi shares some of his favorite things in the new Paul Simon feature exhibit, which opened October 30, 2014.
1. Paul Simon's First Acoustic Guitar
All musicians get their start somewhere. On his 13th birthday, Paul Simon received his first guitar as a gift from his father Louis Simon, who was a musician. His father taught him a few chords and Simon quickly realized that many of the popular songs from the 1950s – the ones he was listening to – used the same chords and patterns. He and childhood friend Art Garfunkel began to write songs using those voicings. The first song they wrote using the Stadium brand acoustic guitar was called “The Girl for Me.”
2. Letter from Paul Simon to Art Garfunkel
Paul Simon wrote this letter dated August 13, 1957, when he was attending summer camp in Bellport, New York. Art Garfunkel was at different summer camp in New Jersey, and it was a pivotal moment in their young lives. They had been singing ...
Last night, two-time Rock and Roll Hall of Fame Inductee Paul McCartney appeared on The Tonight Show Starring Jimmy Fallon, where he talked about former Beatles bandmate Ringo Starr. This week Starr learned he was being inducted into the Rock and Roll Hall of Fame as part of the 2015 class.
In an interview with Rolling Stone magazine, Starr told the story of how McCartney called to break the big news. "He said he'd been talking to Dave Grohl and other people and they were stunned that I wasn't in the Rock and Roll Hall of Fame, and he needed something to do that night, and he's going to give me the award," said Starr of McCartney's phone call. "I didn't know that George [Harrison] and John [Lennon] were in it," Starr added. "I'm not keeping up with it all the time. We'll have a very nice evening and it'll be my pleasure to receive the award… And it means, finally, the four of us are in the Rock and Roll Hall of Fame even though we were the biggest pop group in the land."
Today, the Rock and Roll Hall of Fame is proud to announce the 2015 Hall of Fame Inductees. The Rock Hall's 2015 class includes the Paul Butterfield Blues Band, Green Day, Joan Jett & the Blackhearts, Lou Reed, Stevie Ray Vaughan & Double Trouble and Bill Withers, all in the performer category.
This year's class also recognizes the "5" Royales with the early influences award, and former Beatle and solo artist Ringo Starr enters the Hall of Fame – the last of the Fab Four to be inducted as a soloist, following John Lennon in 1994, Paul McCartney in 1999 and George Harrison in 2004.
“As we mark 30 years of Rock and Roll Hall of Fame Inductions, we’re proud to honor these artists,” said Rock and Roll Hall of Fame Foundation President Joel Peresman. "These Inductees epitomize rock and roll’s impact over the past 50 years and continuing through today."
Leading up to the April 18, 2015 ceremony, the Rock and Roll Hall of Fame will host a series of special events, including the grand opening of the major new 2015 Inductee exhibit, which will serve as an introduction to the Rock and Roll Hall of Fame visitor ...
On October 26, 2013, a once-in-a-lifetime collection of musicians gathered in Cleveland, Ohio, for the Rock Hall's Music Masters tribute to the Rolling Stones. That evening's concert at the Playhouse Square State Theater was anchored by a group of top flight musicians who have performed with the Rolling Stones over their 50-year career and contributed to shaping the band’s extraordinary sound.
Grammy Award-winning drummer Steve Jordan led the house band as musical director, assembling a group of critically-acclaimed musicians, including 2012 Rock and Roll Hall of Fame Inductee Ian McLagan.
McLagan had played on the Rolling Stones' Some Girls album and toured with the group in 1978, 1981 and 1982.
Among the incredible performers sharing the stage with McLagan that night was the incomparable Bobby Keys, the legendary sax player for Elvis Presley, Joe Cocker, B.B. King and others, including the Rolling Stones. Keys had been recording and touring with the Rolling Stones since 1970, appearing on Let It Bleed, Sticky Fingers, Exile On Main Street, Goats Head Soup, Emotional Rescue and several live albums.
WATCH: In the clip below, Bobby Keys delivers a fiery solo during a jam on the Rolling Stones' Sticky Fingers cut ...
Bobby Keys was one of the definitive sax players in the history of rock and roll. He played with seminal artists such as Buddy Holly, Del Shannon and Little Anthony and the Imperials, as well as some of the most influential UK bands of the 60s and 70s, including John Lennon.
Keys really was a link between the beginning of rock and roll and the British Invasion. He was also a crucial element of the Rolling Stones’ sound, making his mark on such tracks as "Brown Sugar." He played with the Stones so often and for so long that he’s really a part of the band.
It was a honor to have Keys in Cleveland for the Rock and Roll Hall of Fame's Annual Music Masters tribute to the Rolling Stones in 2013. He was an essential part of that program. Click here to view pictures from that unforgettable concert, including the time Bobby Keys performed alongside Chuck D. of Public Enemy.
Moreover, Bobby Keys was a genuinely warm, funny big-hearted man who’ll be missed tremendously.
Recorded backstage at the 2013 Music Masters, this video interview with Bobby Keys and Steve Jordan has the musicians trading stories ...
The Band, more than any other group, put rock and roll back in touch with its roots. With their ageless songs and solid grasp of musical idioms, the Band reached across the decades, making connections for a generation that was, as an era of violent cultural schisms wound down, in desperate search of them. They projected a sense of community in the turbulent late 60s and early 70s – a time when the fabric of community in the United States was fraying. Guitarist Robbie Robertson drew from history in his evocative, cinematic story–songs, and the vocal triumvirate of bassist Rick Danko, drummer Levon Helm and keyboardist Richard Manuel joined in rustic harmony and traded lines in rich, conversational exchanges. Multi-instrumentalist Garth Hudson provided musical coloration in period styles that evoked everything from rural carnivals of the early 20th century to rock and roll revues of the 50s.
In an era of divisive politics, the Band produced music that crossed generational and historical borders. They did so with an ensemble brilliance borne of many years spent playing on the road.
Everything great about the Band can be found on "The Weight," the central piece of their 1968 debut, Music From Big ...