This month, the Rolling Stones returned to Hyde Park for two concerts, 44 years after the group's 1969 performance at the landmark venue. Delivering a set on July 6 that echoed that fabled show with performances of such classics as "Sympathy for the Devil" and "(I Can't Get No) Satisfaction," Mick Jagger reportedly asked: "Anybody here that was here in 1969?"
On July 5, 1969, the Rolling Stones took to a stage at London's Hyde Park, dedicating the show to founding member Brian Jones who had died just two days earlier. The performance in front of more than half a million people marked the first appearance of guitarist Mick Taylor with the group.
Jagger quoted poet Percy Bysshe Shelley in tribute to their departed bandmate, and two large panels promoting 1968's Beggars Banquet that pictured Jones were placed on the stage. The panels were enlarged from the original gatefold sleeve of Beggars Banquet, with its medieval-menagerie scene of the band. The promo panels were first used during the album's infamous press launch – an event that quite literally left the Rolling Stones and the heads of Decca Records with pie on their faces.
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For the past year and a half, the staff of the Rock Hall’s Library and Archives has been working to digitally preserve and catalog thousands of hours of footage of performances, interviews, education programs, oral histories and Rock and Roll Hall of Fame induction ceremonies that have taken place over the past few decades. Making this footage and other resources available to researchers and music fans for the first time is one of the things that already makes our jobs exciting, but one recent donation really captured my interest.
It was the original VHS cassette containing the very last interview with Rock and Roll Hall of Fame Inductee Roy Orbison ever recorded. The interview was done at the Front Row Theater in Highland Heights, Ohio, after Orbison’s final show on December 4, 1988, and this was the tape that was there in the room while the interview took place. It was recently donated by Tony Weber, who conducted the interview for his public access television show that ran from 1987 to 1989. Some low-quality dubs of the footage (likely captured from the television broadcast) can be seen on YouTube, but this is the original tape, so it is ...
An exclusive behind-the-scenes look at the making of the Rock and Roll Hall of Fame and Museum's new exhibit highlighting 50 years of the Rolling Stones. The exhibit, Rolling Stones: 50 Years of Satisfaction, opens to the public on May 24, 2013, and will span three floors, more than 4,000 square feet and feature hundreds of items -- instruments, clothes, handwritten correspondence, art, photographs and more -- from the Rolling Stones' amazing history as the "World's Greatest Rock and Roll Band."
Watch the video below for a sneak peek at the Rock and Roll Hall of Fame and Museum's new Rolling Stones exhibit.
The six founding members of War – the late Papa Dee Allen and Charles Miller, survivors Harold Brown, B.B. Dickerson, Lonnie Jordan and Howard Scott – were gigging around L.A. for nearly a decade before hooking up with Eric Burdon (ex-Animals) and Danish harmonica player Lee Oskar in 1969. Burdon and producer Jerry Goldstein named them War, and they backed it up with a steamy Afro-Latin R&B groove that rocked their debut hit “Spill The Wine.” Less than two years later, Burdon dropped out and War went their own way in 1971. A long string of Top 10 pop/R&B crossover hits established War’s status through the Seventies, always with a social message grounded by their distinctively breezy Southern California vibe. In this interview with War founding member Lonnie Jordan, he shares his first memories of playing, how War first connected with Eric Burdon and jamming with Jimi Hendrix during what would be his last public performance.
Rock and Roll Hall of Fame: How did you first become interested in playing music?
Lonnie Jordan: As a kid, I used to watch old black-and-white movies. Now keep in mind I'll be 65 this year, so when ...
I began my internship at the Rock and Roll Hall of Fame and Museum’s Library and Archives expecting to be busy with basic preservation tasks and minor conservation duties, such as creating enclosures for documents and rehousing materials. What I ended up doing instead was much more exciting, and it provided me with a much richer internship experience than I ever imagined.
I began by preparing the conservation lab, creating a conservation policy and expanding on the Library and Archives’ existing conservation manual. With everything in place, it was time to work on the collection most in need of treatment: the Les Paul Papers. The papers were in rough shape at the time of acquisition, as many of the documents and files were moldy and covered in rust from old staples and paper clips. The items with the most obvious mold damage were bagged and placed in quarantine until they could be cleaned, but mold seemed to be everywhere I looked in the collection.
Cleaning mold is not a simple task and requires special care and technique. Wearing personal protective equipment, including gloves, goggles, mask and apron, I carefully cleaned each item in the collection with conservation grade sponges ...
On April 18, 2013, the Rock and Roll Hall of Fame officially ushers the 2013 class of inductees into the Hall of Fame during the 28th annual Rock and Roll Hall of Fame induction ceremony. The class – Lou Adler, Heart, Quincy Jones, Albert King, Randy Newman, Public Enemy, Rush and Donna Summer – are represented in the Rock and Roll Hall of Fame and Museum in Cleveland's newest exhibit. In the series of clips below, get a behind the scenes look at the 2013 Rock and Roll Hall of Fame Inductees exhibit. Visit the Rock and Roll Hall of Fame and Museum to see the new exhibit!
The consistency with which John Mayer combines word craft and melody has earned him rarefied status as a respected songwriter and musician. As one of few musicians to achieve both critical acclaim and popular appeal, the seven-time Grammy Award winner has earned accolades for each album release while selling more than 17 million albums worldwide.
Known as a musician who defies genre boundaries, Mayer is well known for collaborations with a range of artists. From rock to blues, hip-hop to jazz to country, Mayer has performed and/or recorded with Hall of Fame inductees Eric Clapton, BB King and Buddy Guy, as well as T-Bone Burnett, Herbie Hancock, Dixie Chicks, Jay Z and Alicia Keys.
On April 18, 2013, John Mayer will induct legendary blues man Albert King into the Rock and Roll Hall of Fame at the 28th Annual Hall of Fame Induction Ceremony. Mayer will also perform a tribute to Albert King with Gary Clark Jr.
In this interview with John Mayer, the musician reflects on the lasting influence of Albert King, including how King's music first resonated with him and why King belongs in the Rock and Roll Hall of Fame.
Rock Hall: What's your ...
In the history of rock and roll, Muddy Waters represented the tide that brought the Southern blues traditions to the north and amplified them. Along the way, he inspired the name of among the biggest rock and roll bands of all time – the Rolling Stones – and countless other artists who emerged in his wake.
Muddy Waters was born McKinley Morganfield on April 4, 1913, in Issaquena County, Mississippi. Following his mother’s death in 1918, McKinley, the son of a farmer, was raised by his grandmother who lovingly gave him the nickname “Muddy” after his fondness for fishing and playing in a muddy creek. Being a pioneer of the Delta blues, Waters eventually took his talents on the road and landed at Chess Records in Chicago, Illinois. Many of the songs that Waters recorded have become blues landmarks, including “Honey Bee,” “(I’m Your) Hoochie Coochie Man,” “I Just Wanna Make Love to You” and “Got My Mojo Working.”
In the Sixties, Waters played a large role in the blues revival that took American blues “across the pond.” A youthful group of Brits who formed a band in 1962 – Mick Jagger, Keith Richards, Brian Jones, Charlie Watts, Ian Stewart and ...