The fans voted, and we listened: the Rolling Stones album to be highlighted during tonight's special listening party in the Museum's Foster Theater will be the group's 1971 classic recording Sticky Fingers. After asking fans to decide what Rolling Stones album the Rock Hall should highlight, the votes were tallied and Sticky Fingers rose to the top. Tonight, visitors can listen to the entire album through the Museum's state-of-the-art Foster Theater sound system and take part in an in-depth look at the record led by the Rock Hall's education department. Tune in to the live stream at 8 pm EST here! The Rock Hall will honor the Rolling Stones as the 2013 Music Masters during the week of October 21.
Released in 1971, Sticky Fingers captured the sound of the Rolling Stones' inimitable, insouciant style. The album was released less than a year after the group launched its own record label – aptly named Rolling Stones Records – for which they signed a distribution deal with Atlantic Records. The initial releases on the new label were Sticky Fingers and its raunchy, rocking first single, “Brown Sugar.” Musically, the album showcased the band's versatility, from the country ...
Despite her frequent identification as a "folk singer," Ani DiFranco has culled from an eclectic songbook on more than 20 albums. Perhaps grounded in folk, two decades into her career, DiFranco's expansive catalog has been peppered with soul, funk, jazz, electronic music, spoken word and more. Along the way, she's crossed paths with the likes of Chuck D., Dr. John, Pete Seeger, Bruce Springsteen and many more, while espousing "to use her voice and her guitar as honestly and unflinchingly as she could."
Ani DiFranco's current tour, in support of her latest ¿Which Side Are You On?, included a stop in Cleveland, where the Rock and Roll Hall of Fame caught up with her to learn more about what's inspired and influenced DiFranco over the last 20-plus years.
Rock and Roll Hall of Fame: What was the first record/CD you ever bought and do you still listen to it?
Ani Difranco: The first records I ever bought were cassette tapes. I remember driving across the country with a mere handful of them, which I listened to repeatedly. I had a Robert Johnson recording, I had Bob Dylan's Oh Mercy, I had Prince's Purple ...
For the past year and a half, the staff of the Rock Hall’s Library and Archives has been working to digitally preserve and catalog thousands of hours of footage of performances, interviews, education programs, oral histories and Rock and Roll Hall of Fame induction ceremonies that have taken place over the past few decades. Making this footage and other resources available to researchers and music fans for the first time is one of the things that already makes our jobs exciting, but one recent donation really captured my interest.
It was the original VHS cassette containing the very last interview with Rock and Roll Hall of Fame Inductee Roy Orbison ever recorded. The interview was done at the Front Row Theater in Highland Heights, Ohio, after Orbison’s final show on December 4, 1988, and this was the tape that was there in the room while the interview took place. It was recently donated by Tony Weber, who conducted the interview for his public access television show that ran from 1987 to 1989. Some low-quality dubs of the footage (likely captured from the television broadcast) can be seen on YouTube, but this is the original tape, so it is ...
From the Northern Ireland counties to the southern cities of the Republic, Ireland has been – and continues to be – home to some of the world's best known and most-beloved musicians. With a diverse cast of voices and music, Ireland's contributions to rock and roll have expanded the boundaries of the genre. Artists have acted as a force for change and forward thinking, while providing a record of tradition. Songwriters have delivered uniquely Irish narratives, though rich with universal themes and the human experience.
In the spirit of St. Patrick's Day, the Rock and Roll Hall of Fame and Museum shares its 10 essential Irish rockers.
Released in 1964 as the b-side to "Baby, Please Don't Go" (itself a smoldering cover of the Big Joe Williams' song), the Van Morrison–penned "Gloria" became a garage-rock classic, with artists such as the Doors, Jimi Hendrix and Patti Smith later covering it. Its three chords, speak-sing vocal delivery and indelible "G-L-O-R-I-A" chorus inspired legions of budding musicians and, along with "Here Comes the Night," gave the Belfast group among its first tastes of success.
Innovators steeped in tradition, Horslips emerged ...
Today, January 21, 2013, we welcome visitors to the annual Dr. Martin Luther King, Jr. Festival at the Rock and Roll Hall of Fame and Museum, an event that celebrates the life and legacy of Dr. King. There are performances, speakers and admission to the Museum is free.
The Dr. Martin Luther King, Jr. Holiday observance is a time for people to reflect on the accomplishments of the African-American people, including the art form known today as rock and roll. If not for the struggles and sacrifices that Dr. King and his contemporaries made, the voices and musical talents of many African-American artists may not have come to be respected and recognized at the level they are today.
Naturally, the Rock Hall salutes those visionary musicians who were the genesis of rock and roll – not just on Martin Luther King Day, but every day. King's pioneering spirit is echoed in the music that is the foundation of rock and roll, the foundation of all the Rock Hall celebrates.
The Rock Hall's "Roots of Rock" exhibit highlights the importance of recognizing rock's origins – those true pioneers – including gospel, blues, jazz and R&B, soul, country and folk music ...
The first biography of Bruce Springsteen in 25 years to be written with his cooperation, Bruce covers four decades of the musician and Hall of Fame inductee's career in intimate detail. With unprecedented access, biographer and journalist Peter Ames Carlin collected candid interviews with Springsteen, his family and inner circle to weave a rich narrative chronicling the life and times of the Jersey-born rock luminary.
This month, Carlin spoke at the Rock and Roll Hall of Fame's Library and Archives, part of the Author Series, which brings journalists, critics and scholars to the Library and Archives for free readings and discuss sessions. In this interview, Carlin shares the art of being a biographer, separating objectivity from fandom, how he gained Springsteen's trust, the incredible stories he gathered while researching the book and more.
Born on November 12, 1945, Neil Young is one of rock and roll’s greatest songwriters and performers. In a career that extends back to his mid-Sixties roots as a coffeehouse folkie in his native Canada, this principled and unpredictable maverick has pursued an often winding course across the rock and roll landscape. He’s been a cult hero, a chart-topping rock star, and all things in-between, remaining true to his restless muse all the while.
Neil Young was inducted into the Rock and Roll Hall of Fame twice: first as a solo artist in 1995, and again as a member of Buffalo Springfield in 1997. After being inducted by Eddie Vedder at the 1995 Hall of Fame Induction ceremony, Young performed blistering versions of "Act of Love" and "F*!#in Up." The Rock and Roll Hall of Fame and Museum's exhibits in Cleveland, Ohio, are home to a number of artifacts from Young's lengthy career, including the earliest known manuscript of his classic tune "Heart of Gold," with lyrics he wrote between December 1970 and January 1971. (pictured below)
In the liner notes of his career retrospective Decade, Young said of "Heart of Gold": "This song ...
In 1990, Paul Simon and Art Garfunkel were inducted as Simon and Garfunkel into the Rock and Roll Hall of Fame by James Taylor. During their acceptance, Garfunkel noted, "And I want to thank, most of all, the person who has most enriched my life by putting these great songs through me, my friend Paul here." Simon was quick to remark, "Arthur and I agree about almost nothing, but it's true, I have enriched his life quite a bit, now that I think about it."
At the ceremony, they performed “The Boxer,” a song penned by Paul Simon in 1968. The song was released as a follow-up single to their Number One hit, “Mrs. Robinson,” and reached Number Seven on the U.S. charts. The b-side of the single was “Baby Driver,” and the song appeared on their last studio album Bridge Over Troubled Water.
The lyrics focus on a person struggling to overcome loneliness and poverty in New York City. It is written in the first-person until the final verse, where it switches to a third-person idea of a boxer, who, despite the effects of “every glove that laid him down or cut him till he cried ...