The Rock and Roll Hall of Fame + Museum


Five Memorable Moments from the 2014 Bonnaroo Music & Arts Festival

Wednesday, June 18: 12 p.m.
Posted by Rock Hall
The 13th annual Bonnaroo Music & Arts Festival took place June 12-15, 2014 in Manchester, Tennessee

It was a weekend of sing-alongs, raves, rappers and rockers. More than 80,000 music fans made a pilgrimage to Manchester, Tennessee for the 13th annual Bonnaroo Music & Arts Festival. A diverse lineup boasted EDM artists like Zedd and Skrillex next to classic soulsters like Lionel Richie and Bobby Womack, proving that music festivals allow acts to perform for both new and old audiences. Here are five of the top music moments (in no particular order) from the 2014 Bonnarro Music & Arts Festival.

SLIDESHOW: THE 2014 BONNAROO MUSIC & ARTS FESTIVAL

1. Elder statesmen of Rock Meet the New School: Skrillex & Friends SuperJam

Sonny Moore AKA Skrillex pulled out all the stops for his SuperJam. A few of the highlights included Janelle Monea taking the stage to perform Michael Jackson's "Wanna Be Startin' Somethin'" and the 1965 James Brown classic "I Feel Good," and later Cage the Elephant's Matt Shultz fronting the Doors' "Break On Through (To The Otherside)" alongside the iconic group's guitarist and songwriter Robby Krieger

2. Jack White Covers Zeppelin, Electrifying Stage with Mix of New and Old

Just four days after the release of White's second solo studio album Lazaretto, the Nashville resident ...


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Festival Six Pack: Performers at 2014 Bonnaroo and In Rock Hall

Monday, June 16: 12:02 p.m.
Posted by Rock Hall

This summer as rock and roll fans gather at musical festivals around the globe, the Rock Hall is celebrating the the greatest music festivals in history, the biggest and baddest music festivals of today and the fans who make Common Ground: The Music Festival Experience.

From June 12-15, the Bonnaroo Music and Arts Festival takes over Manchester, Tennessee, with a host of performances from some of the biggest names in music. Among the headlining acts and performers at Bonnaroo this year are a number of artists who also feature in the Rock and Roll Hall of Fame and Museum, in Cleveland, Ohio, including four Rock and Roll Hall of Fame Inductees.


Mickey Hart:

Percussionist Mickey Hart was inducted into the Rock and Roll Hall of Fame in 1994 with his bandmates in the Grateful Dead. When Hart visited the Rock and Roll Hall of Fame and Museum in 2012, he shared stories about the first time he ever saw the Grateful Dead live and the San Francisco scene in the 60s. Pictured below is his illuminated signature in the Rock and Roll Hall of Fame in Cleveland, Ohio.




Bobby Womack:

Bobby Womack was born in Cleveland, where he and his ...


continue Categories: Inside the Rock and Roll Hall of Fame, Exhibit, The Grateful Dead, Elvis Presley, The Beatles, Rolling Stones, The Greatest Festivals in Rock and Roll History, Inductee, Hall of Fame

Bruce Springsteen's "Born in the U.S.A." 30th Anniversary

Wednesday, June 11: 7 a.m.
Posted by Rock Hall
Bruce Springsteen's "Born in the U.S.A." turns 30

Released in June 1984, Born in the U.S.A. remains among the best-selling albums in rock and roll history, with seven Top 10 hits that sent 1999 Rock and Roll Hall of Fame Inductee Bruce Springsteen's rock stardom into the stratosphere. Its narrative tone had much in common with 1982's stark, somber and critically lauded Nebraska, with many of the songs that comprised Born in the U.S.A. beginning life in the same sessions that produced that album. The root influences of blues, American folk songs and the new cinematic style of directors such as Martin Scorsese and Terrence Malick brought a darker and more introspective view to the characters. “I’m on Fire,” for example, was a song of desire, compulsion and personal struggle that became a Top 10 hit in 1985, despite its intense subject matter.

However, Born in the U.S.A. also traded in more nostalgic storytelling and tongue-in-cheek humor on tracks like "Glory Days" and "Dancing in the Dark" – all of which proved especially resonant with audiences around the country. Thanks in no small part to 2014 Rock and Roll Hall of Fame Inductees the E Street Band, the arrangements were ...


continue Categories: History of Rock and Roll, Hall of Fame, Inductee, Exhibit, Today in Rock

The Top 5 Things We Witnessed at the 2014 Nelsonville Music Festival

Thursday, June 5: 12 p.m.
Posted by Rock Hall
The Avett Brothers headline Saturday night at the 2014 Nelsonville Music Festival

This past weekend, we headed for the rolling hills of Southeastern Ohio for the 10th annual Nelsonville Music Festival. Family-friendly, ecologically-minded and produced by the non-profit Stuart's Opera House, the festival aims to have an impact on the region and the attendees who will take those missions home. Here are a handful of the top elements and moments we witnessed at the gathering.

SLIDESHOW: THE 2014 NELSONVILLE MUSIC FESTIVAL

1) Pokey LaFarge 

The sound of Pokey LaFarge proves there is no such thing as "revival" music, rather, it lives forever. The Bloomington, Illinoise born musician combines elements of swing, country and folk for a unique blend of authentic Americana. Besides seeing Pokey and his 5-piece backing band (which includes bassist Joey Glynn, guitarist Adam Hoskins, Ryan Koenig on harmonica, washboard, and snare drum; TJ Muller on cornet and trombone; and Chloe Feoranzo on clarinet and saxophone) on the main stage, we witnessed an unplugged set on the front porch of the No-Fi cabin on the back of the festival grounds. It was a scene right out of the earliest of music festivals, where people tightly gathered to hear the songs of troubadours and traveling ramblers. 

2) Musicians interacting with ...


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Folk-rock findings at the Rock and Roll Hall of Fame Library and Archives

Tuesday, June 3: 5 p.m.

Recently, I gave a presentation at the Rock and Roll Hall of Fame Library and Archives about my books on 1960s folk-rock. Most of it was centered around rare film clips, but I was also asked to talk a bit about the research I’ve done at the library over the past two weeks (thanks to a grant from the Gladys Krieble Delmas Foundation). This is for the expanded ebook edition of my two-volume work on 1960s folk-rock, Turn! Turn! Turn! (published as a print edition in 2002) and Eight Miles High (published as a print edition in 2003), which I’m combining into a single ebook, Jingle Jangle Morning: Folk-Rock in the 1960s.

It would take many hours and many pages to cover all of the material I’ve discovered at the library. So I used just a few images to illustrate how rare items could shed some light on folk-rock’s history, even after having written about it for 600 pages in the print editions. All of these are taken from ads that appeared between 1965 and 1967 in Cash Box, the biggest music trade magazine besides Billboard, but (unlike Billboard) very hard to find copies of these ...


continue Categories: Inductee, History of Rock and Roll, Bob Dylan, Rock's Greatest Guitar Players, Hall of Fame, Library and Archives

Interview with Alan Parsons: The Beatles Final Live Performance, Abbey Road and Rock History

Wednesday, May 21: 11:34 a.m.
Posted by Rock Hall
Alan Parsons donates stage outfits to the Rock and Roll Hall of Fame and Museum.

Audio engineer, record producer, composer and musician Alan Parsons visited the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, during a tour stop that's taken him coast to coast in the United States. During his visit, Parsons donated two stage jackets to the Rock Hall's collection, and shared firsthand accounts of his remarkable career: from landing a job at Abbey Road at age 19, to working on the Beatles rooftop performance at Apple Studios in 1969; from his work on Pink Floyd's Dark Side of the Moon to his role in some of the Hollies' greatest hits; to his own music with the Alan Parsons Project and as a solo artist.

Rock and Roll Hall of Fame: You got a job at the fabled Abbey Road when you were quite young…
Alan Parsons: I already had a job with EMI, which is the part company of Abbey Road Studios, and I worked in a sort of associated department, which was called 'tape records.' We were making reel-to-reel quarter-inch albums on tape back then… actually making Beatles albums on quarter-inch tape. And, there was a link from that department to Abbey Road. I wrote to ...


continue Categories: The Beatles, Inductee, Exhibit, History of Rock and Roll, Exclusive Interviews

Songs That Shaped Rock and Roll: "God Only Knows"

Friday, May 16: 4:51 p.m.
Posted by Rock Hall

Inspired by the Beatles' Rubber Soul album, Brian Wilson responded with Pet Sounds, the Beach Boys' masterpiece. And like many other prescient works through the ages, it puzzled the public.

While hardly a commercial failure-it hit Top Ten and spawned two Top Ten singles-it performed poorly by Beach Boy standards, failing to sell gold. Coming immediately after the carefree (and more popular) Beach Boys' Party, Pet Sounds was all the more confusing.

"God Only Knows" exemplifies Pet Sounds in its confessional tone and sensitive arrangement. Tony Asher wrote the lyrics, as he did for most of the album. Wilson was nervous about what he considered the unprecedented use of the word god in a pop song title. (Apart from quasi- patriotic kitsch like Johnny Burnette's 1961 hit "God, Country And My Baby", was Wilson unaware of a regional hit nearly as touching as his own, only a decade  earlier- the Capris' "God Only Knows").

As on the rest of the album, none of the Beach Boys play instruments; Brother Carl Wilson's vocal is virtuostic.  In the U.S., "God Only Knows" dented the Top 40 as the B-side of a bouncier Pet Sounds track, "Wouldn't It Be ...


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Banned, "Dirty Water" and Punk: Interview with the Standells

Thursday, May 15: 4:30 p.m.
Posted by Rock Hall
The Standells' "Dirty Water" banned in Boston.

With songs like "Sometimes Good Guys Don't Wear White," "Why Pick on Me" and "Riot on the Sunset Strip," the Standells brand of cranked-up garage rock in the 60s earned them a reputation as among the godfathers of punk rock. The fact their music has been covered by the likes of Aerosmith, Minor Threat, Bruce Springsteen and U2 – not too mention a litany of punk acts emerging in 1977 – illustrates that their knack for punchy hooks has engendered them to musicians and fans alike.

With an instantly recognizable-and easy to play-guitar intro, "Dirty Water" became a garage band staple in 1966. Onetime Four Preps member Ed Cobb wrote the song, but the Los Angeles–based Standells version recorded in a  garage studio in southern California turned it into a growling classic. Once squeaky-clean, the Standells went proto-punk in a bid to glom onto the bad-boy image of British groups like the Rolling Stones and the Animals. Drummer/vocalist Dick Dodd (a former Mickey Mouse Club Mouseketeer) sneered his way through this tale of unrequited lust and of vitriol aimed at Boston. That city retaliated by banning "Dirty Water," which didn't hurt sales. The canny Standells went on to ...


continue Categories: History of Punk, History of Rock and Roll, Songs That Shaped Rock and Roll, Rolling Stones, Exclusive Interviews
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