With a career that spans more than 50 years and a catalog of music that embraces gospel, rock, jazz, blues, funk, pop standards and more, Aretha Franklin earned the royal sobriquet the Queen of Soul with her passionate, expressive musicianship. Franklin's influence is expansive, her music resonating with generations, breaking down style barriers and fostering an eclectic appreciation of sonic possibilities. In celebration of Franklin's lasting impact, on Friday, November 4 at 8:30 pm, the House of Blues Cleveland will transform into a hotbed of soul, R&B and dance, as the Rock and Roll Hall of Fame and Museum presents Jump To It, welcoming internationally recognized DJs MC Lyte, Mick Boogie and O-Dub to spin a lively mix of classic Aretha Franklin tracks and cuts by the soul and R&B purveyors who followed her lead.
"I can remember the first time I saw Aretha Franklin perform 'Respect' in the Blues Brothers film," says MC Lyte. "It was my favorite scene in the movie! She commanded attention with a no-nonsense attitude. I loved it!" For more than 20 years, the multi-talented MC Lyte has been a creative force in the world of hip-hop and beyond. Her ...
American Music Masters Moments: Les Paul is the first installment in a series that shares stories from the Rock and Roll Hall of Fame's American Music Masters® events through the years. Beginning in 1996 with a tribute to Woody Guthrie, the American Music Masters series has honored artists who've been instrumental in the development of rock and roll with a range of events celebrating their careers. Each AMM brings together musicians from around the world, setting the stage for special, once-in-a-lifetime moments. These are those stories.
From their inception in 1996, the Rock and Roll Hall of Fame and Museum’s American Music Masters programs have been sensational, but the one that I have the fondest memories of is the 2008 tribute to Les Paul. One of the great highlights of my job is the fact that I was lucky enough to get to know Les. In 2004, I worked with Les to put together and exhibit The New Sound: Les Paul and the Electric Guitar. When the exhibit opened, Les and his trio came to Cleveland and performed on the main stage in the museum’s lobby. That exhibit is still up on the second floor of ...
American Music Masters Moments: Fats Domino and Dave Bartholomew is the second installment in a series that shares stories from the Rock and Roll Hall of Fame's American Music Masters® events through the years. The first post in the series remembered Les Paul. Beginning in 1996 with a tribute to Woody Guthrie, the American Music Masters series has honored artists who've been instrumental in the development of rock and roll with a range of events celebrating their careers. Each AMM brings together musicians from around the world, setting the stage for special, once-in-a-lifetime moments. These are those stories.
For me, the best part of American Music Masters is hearing first-hand stories from the musicians who worked with the honoree. They tell fascinating stories about recording sessions, concerts and late-night card games. When we honored Fats Domino and Dave Bartholomew last year, we were able to bring the surviving members of their original band to town: Billy Diamond (bass), Ernest McLean (guitar), and Herb Hardesty (saxophone). It had been years since they all were together, and listening to them sitting around, reminiscing with Dave Bartholomew and Cosimo Matassa, who recorded them all at J&M Studies in New Orleans ...
American Music Masters Moments: Solomon Burke is the third installment in a series that shares stories from the Rock and Roll Hall of Fame's American Music Masters® events through the years. The first post in the series remembered Les Paul, while the second recalled the 2010 tribute to Fats Domino and Dave Bartholomew. Beginning in 1996 with a tribute to Woody Guthrie, the American Music Masters series has honored artists who've been instrumental in the development of rock and roll with a range of events celebrating their careers. Each AMM brings together musicians from around the world, setting the stage for special, once-in-a-lifetime moments. These are those stories.
One of my favorite memories is from the 2005 American Music Masters honoring Sam Cooke. I spent four days working with legendary soul singer and 2001 Hall of Fame inductee Solomon Burke. During that time, I went to rehearsals with him, interviewed him about his music and life, ate meals with him and his family, and even went hat shopping with him. One of his classic stage moves was to wear a beautiful fedora-style hat during his performance and then toss it into the crowd at the end of his ...
It seems as if the Blind Boys of Alabama have always existed. Of course, given my tender age and the fact the Blind Boys began performing in 1939 when they met at the Alabama Institute for the Negro Blind, my observation is right on the money.
Growing up, I was fascinated by the Blind Boys of Alabama, especially given our origins in the same state, my hometown being Mobile. Being the member of an all-white Methodist church that never sang more than two songs on any Sunday and never got more rousing than "Onward, Christian Soldiers," I was taken back when I first heard the stirring screams, hoops, hollers and calls coming from this amazing singing group. It was unlike anything I had ever heard before. The Blind Boys' music was mesmerizing then, and it still is today. Songs such as 1948's "I Can See Everybody's Mother But Mine" continue to resonate among gospel, R&B and rock and roll artists.
More than 70 years after they first formed, the Blind Boys of Alabama are still at it, having recently released Take The High Road, which pulls together a talented group of players that once again highlights the ...
It’s a great thrill for me to attend the Rock and Roll Hall of Fame’s American Music Masters conference on the Queen of Soul on Saturday, November 5, and I’m grateful for the Rock Hall providing me this opportunity to discuss my new book about Aretha Franklin's Amazing Grace.
While Amazing Grace is Franklin's most accomplished and best-selling LP, it is also an album that's frequently overlooked – even among many of Franklin’s biggest fans. None of the songs on it became pop hits, nor were they intended to be. When she made this recording in 1972, just before her 30th birthday, her voice was at its peak. Her best band backed her, including the fantastic drummer Bernard “Pretty” Purdie, who is also part of Saturday's conference and will be sitting in on drums during Saturday night's tribute concert at PlayhouseSquare's State Theater. She was collaborating with James Cleveland, leader of the Southern California Community Choir, and whose voice was as influential in gospel as Franklin's became in rock and soul. Most important, she recorded the album live, at a church in Los Angeles, and in doing so revisited the ...
Melinda Doolittle has performed as a backup singer for musical legends such as Michael McDonald, Aretha Franklin and Aaron Neville, and finishd third on the sixth season of American Idol. Doolittle has also performed at the White House, the Musicians Hall of Fame, the Kennedy Center and Carnegie Hall, and she has shared the stage with Peter Cetera, Cyndi Lauper, the Boston Pops Orchestra and more.
Doolittle's debut album, Coming Back to You (2009), produced by Grammy-nominated Mike Mangini, garnered positive reviews from critics, including The New York Times, which noted that the album "succeeds mightily." Doolittle recently penned an autobiography, Beyond Me (2010) and is currently in the studio writing and recording songs for the release of her next album. This week, the Rock Hall caught up with Doolite, who will perform at the Aretha Franklin tribute concert at PlayhouseSquare's State Theatre on November 5.
Rock Hall: What is your first memory of hearing Aretha Franklin's music?
Melinda Doolittle: I remember being a young girl and my Daddy playing "Respect" for me. I loved that there was a song that made it okay to be sassy. That was the only time I was allowed to wag ...
Pianist Kris Bowers has shared the stage and/or recorded with jazz artists such as Terell Stafford, Vincent Herring, Louis Hayes, Casey Benjamin and Kenneth Whalum II. He has continued performing in a number of other genres, working with Murs, Q-Tip, Josè James, Jay-Z and Kanye West. Bowers can be heard on Kanye West and Jay-Z’s latest album, Watch the Throne. He has also performed for notable individuals including Clint Eastwood, Morgan Freeman, Ayaan Hirsi Ali and President Barack Obama. Bowers was the winner of the 2011 Thelonious Monk Institute International Piano Competition, where he caught the attention of judges Jason Moran, Herbie Hancock, Danilo Perez, Renee Rosnes and Ellis Marsalis. He is pursuing his Masters in Jazz Performance with a focus on film composition at Juilliard. Bowers is currently forming his own band and will be releasing his debut album on Concord Records next year. This week, the Rock Hall caught up withBowers, who will perform at the Aretha Franklin tribute concert at PlayhouseSquare's State Theater on November 5.
Rock Hall: What is your first memory of hearing Aretha Franklin's music?
Kris Bowers: Growing up, Aretha was one of the handful of artists my parents always ...